Archives for category: Music

A few years ago, a film-maker called Jaideep Varma began working on a documentary. The subject of his film was a Delhi-based band called Indian Ocean.Until then, Varma’s filmography featured a low-budget film called Hulla that came and went without much fuss. I have no idea if it is any good.

Leaving Home, as the documentary came to be called (it’s named after one of the band’s early songs), is perhaps the first of its kind in India – an up-close-and-personal look at a band that has managed to exist through more than two decades, defying every naysayer concerned about the state of independent music in India. Jamming their way to glory since the eighties, Indian Ocean has survived musical trends, record label shennanigans, and recently, personal tragedy, to become one of the most distinctive musical acts in the country. Their songs range from fiery political poetry set to music to long, meandering instrumentals that soothe and excite at the same time; they combine rustic melodies of the hills with virtuoso chord progressions and bass licks. One of their most well-known songs is a centuries-old Aramaic prayer arranged in their own unique style. The only common element to their music is a rawness, an Indian-ness that is hard to talk about but simple to understand once you listen to them.

The making of the documentary was, as far as I know, a troubled, rough affair for Mr. Varma. I know he put a lot of his savings into it, and that of his friends. His troubles were further exacerbated when no distributor would pick up the film just because there was no precedent for something like it. In his own words:

Making the film, however, was the easy part. The real struggle began then as there was ostensibly no outlet to release the film. At least that’s what the powers-that-are in the industry said repeatedly. “There is just no place to show this.” 150 channels on television but not sure where this fits in. Scores of multiplex screens all around India but not sure if even one can be spared to accommodate this. That’s what the recurrent theme was when the rounds of producers’/ distributors’ offices began. We were laughed out of the room most times…once or twice, quite literally.

The film was completed in 2008. Asheem Chakraborty, the lead singer of Indian Ocean passed away in 2009. The band carried on with its musical journey regardless, with a temporary lead singer and tabla player. Jaideep managed to get a half-hearted theatrical release for his film in 2010, in selected multiplexes in some major cities. It went on to release on Direct-To-Home cable, and then got a DVD release. Word of mouth helped, as did the publicity on Facebook. It won a National Award for Best Arts and Culture film – even there, the producers’ credit was mangled during the awards ceremony.

Despite being an Indian Ocean fan, I never managed to catch the theatrical release of the film. I wanted to buy the DVD, but there were too many life-changed going on at that time and I was not buying anything at all. Finally, when they announced the non-availability of the DVD on the Facebook page, I figured I had no alternative but to torrent it. There was just one source, with one seed and 71 people downloading. Never a good sign. But I kept the torrent on, and a few weeks later, it was done.

When I got around to watching it, I found that the video began with a plug for a 286-minute extended edition of the documentary. Which sounded great, but where on earth was it available? Did it release at all? A few hasty Google searches revealed that yes, the longer version had released, and was out of print as well. I went and checked the Facebook page again. They railed against the disinterested producers who were not interested in bringing out more copies of the DVD even though there was a clear demand. But wait, it also mentioned that copies were available on Flipkart for a limited time. I went over and checked the site even though I was fairly sure it would not be there.

But it was! Leaving Home: The Longer Trip, and was being offered at a discount as well. Ordered immediately, and a friend who was in India at that time kindly agreed to accept the shipment on my behalf, and got it over. I got it this weekend. Haven’t played it yet, but it’s funny how I ended up buying something that I had downloaded just a month ago.

And that, my friends, is how reverse piracy works.

Previous posts on Indian Ocean here and here.

waiting for a bus on a cold winter morning, with crunchy snow and sounds of birds stirring in the bare branches above, and it starts snowing gently and quietly, wispy white snowflakes, and one lands right on your extended tongue…

Now here’s something I haven’t done before. I mentioned that I was going to make a mix-tape. Shruti, (who drops in every now and then on the blog, hi Shruti) left the intriguing comment above when I asked her for an idea – a mood or a theme. It did sound like a lovely frame of mind to weave a bunch of songs around. Except -

My familiarity with snow is next to non-existent. Real life snow, that is. I encountered snow for a total of 3 hours in my life, and most of it was – well, that’s a story for another day. What I wanted to say is – my experience of these white fluffy thingies falling out of the sky has been based on December issues of Archie comics, Shammi Kapoor films, Yash Chopra heroines and Christmas movies set in New York. Snow in real life, most friends tell me, is not as mysterious, romantic or human-friendly as all of the above make out to be. Or maybe it is, and my friends are too jaded with life to know better (snicker). Actually no, I totally get it. I am from Assam, a state in India known for a phenomenal amount of annual rainfall – as a result, I cannot stand rain. At all.

So this mix-tape is more of a romanticized view of how an outsider perceives a snowy morning. If this sounds like a half-assed excuse for a poor selection of songs, I apologize. The 13 tracks are about a random winter morning, not a particularly cheery one, but not melancholy either. Just that I feel the cold in my bones, I need to touch my ears every now and then to warm them up, and I hold my iPod very tight in my pocket because clenching my fist over the battery makes it feel a tad warmer. And the snow, when it begins to fall, takes my breath away. There is a very clear story playing out in my mind when I listen to the tracks in order. The lyrics, as with most of my musical choices, are not important.

All cliche, pretentiousness and lack of taste are completely unintentional.

You can download the zip (ID3 stripped) from here.

Also, I intend to do this more frequently. I have a theme for the next one already, thanks to a recent conversation, and that will turn out to be much more upbeat than this.

 

When it comes to concerts in LA, I tend to repeat my mistakes. Instead of booking tickets the minute they come out on sale – and believe me, it’s easy to be privy to “secret” pre-sales and special offers – I postpone my buying until the last minute. Nine times out of ten, or maybe three times out of ten, please feel free to insert any statistical value here that drives my point home, the tickets are sold out. And then I have to trawl Craigslist, eBay, Stubhub, even last.fm users who say they’re going, in order to come up with tickets at the last minute.

But it is possible to get tickets second-hand, of course. Fun things have happened when I went to get them. Like the bus journey that lasted half a day, involved a long walk through a golf course and by a duck pond, and culminated in me fidgeting near a pool party. A guy wearing a wife-beater and flanked by three gorgeous women took a wad of tickets out of his cargos and picked four for me. After accepting  payment, he asked me if I would like to join the party. I had a birthday party to attend, and I declined. I regret that. But the Feist concert proved to be wonderful, and I managed to sell two of my tickets and broke even, hah!

The Pierces were a band I had stumbled across thanks to a recommendation from a Gossip Girl addict, and much of early 2010 was spent tripping on Thirteen Tales of Love and Revenge. It’s a brilliant album, the two sisters spinning their addictive melodies over lyrics that spoke of secrets, boredom and making love with the lights on. I heard of their appearance at the Hotel Cafe when attending the Ariana Hall appearance at the same venue, a few weeks ago. Did not buy tickets, did not pass go, landed up at the venue early today hoping to get some. They were preceded by a band called Early Winters, and the sign said that the venue would be cleared after their set ended. Undeterred, I got in for the first set. A fine performance by the band more than made up for a somewhat-long work-day. The lead singers were a Canadian dude and a British lady, and their other band members were in New Zealand and Japan when they collaborated on their album over Skype video chats.

Soon after the venue was cleared, we went outside and stood on the aisle of shame. “Back up against the wall, please”, the lady at the gate kept repeating to us, and the two Middle-eastern women in front of me giggled all throughout. After some nerve-wracking minutes, they finally agreed to let us in. I fist-bumped the bouncer, swooped in to say hello to the lead singer of Early Winters, who was selling merchandise near the front door – got a signed CD from her, my third CD in 2 weeks, looks like a bad habit’s in the making – and sauntered in. The sisters rocked the set, debuting songs from their new album and totally bringing the house down with old favorites. The Hotel Cafe, ladies and gentlemen. I have a feeling I’ll become a regular here.

Best song finale of the year: Bjork –  Crystalline.

I’ve already talked raved about this song in detail here. The glorious drum-and-bass-soaked last minute made my year. Seriously.

Feel-good song of the year: Fallulah – Bridges

Everything about this song – the “woo-woo”s, Fallulah’s quirky voice, the “hee-yah”s that punctuate the middle of the song, the outrageously stylish video (which is linked here from Vimeo because apparently it’s not officially released in the US yet)  – every single thing about this song drives me nuts. Geronimo!

Favorite bit from a Soundtrack: The Chemical Brothers – Hanna’s Theme

I found other OST albums more fulfilling as complete packages, but the main theme from Hanna, a gentle melody that marries layered humming with echoey guitars and a growling bass. The vocal version by Stephanie Dosen adds to the wintry charm, and adds chunky beats towards the end. Very unlike what one would expect from a Chemical Brothers track.

Mash-up of the Year: RajStar – Billie Chikku

NY-based DJ RajStar’s Rahman Noodles, cringeworthy as the name may be, caused tiny explosions of wonder in my brain cell. He mashes up AR Rahman with artistes such as Kanye West, M.I.A, and the one that mixes Michael Jackson’s Billie Jean with Chikku Bukku is a clear winner. The rest of the album’s not bad, either. Go download it for free from his website, right here.

The Other Mash-up of the Year: Muchuu – Tornadoes, Moons, Bridges and Balloons

Because I can afford to cheat and put two instead of one in the same category. Because this is one of the most innovative mash-ups I’ve ever seen. Because the video is hynotic and it will make you smile. Because this song mixes SIXTEEN different tracks into one cohesive melody.

WTF Song of the Year: Himesh Reshammiya – Mango

“I miss you baby, like mango.” Is this satire? Is this post-modern Bollywood? Is it Himesh Reshammiya going beyond limits of human comprehension in terms of blending style, humor and viral marketing? Does any of it matter? Why are we here? Why were we born? Because this song demanded it.

Favorite Video: Lykke Li – I Follow Rivers

This song is huge in Romania, and it’s only fair that pal Cristi pointed me to it. I am not much of a video person, but I loved the somewhat-open-to-interpretation nature of the video.

Ok, you know what? Fuck this shit, I think I’ll just come up with a mix-tape again, with my favorite songs, instead of just talking about them. (Actually, I totally want to go finish Lee Child’s Killing Floor, and am too half-assed to finish this post. So there)

My music habits last year were … conventional.

Some graphical observations:

Click to enlarge

Click to enlarge

Some non-graphical observations:

  • 10640 plays: an average of 200.75 songs per week and 10439.25 per year (thanks to Last.fm tools).
  • My 2011 folder (i.e all the music that I stumbled onto this year) comes to 20.6 GB. That’s not counting saved Spotify playlists.
  • Definite skew towards electronic music. Ok, who am I kidding? It’s all electronic music.
  • Female vocalists/songwriters/musicians dominate the list, like always.
  • Very less Indian Film Music. Only two albums make the cut, but just because I did not find most of the new releases adventurous enough. Entertaining, yes, but not adventurous.
  • I was introduced to a bunch of new artistes that I had not heard before, which made me very happy.
  • Most of the music last year was legal, and I also hit up a lot of concerts – 24 in all. Good times.
  • There was a definite Scandinavian bias to my listening, which got all the more obvious the second half of the year. This list does not reflect this, though.

The list below features  albums released in 2011, including two that are not officially out so far.

 tUnE-yArDs – W H O K I L L

Merrill Garbus kicked my teeth in when I first heard her album this year, and later on went on to knock me half-dead when I saw her live. Whokill is pure aggression at times, whimsical vocal calisthenics at others, a mind-melting package of stunning originality. You won’t find a single filler song on this album. Every track forced me to pay complete attention to what I was listening, and that is primarily what I look for in an artist – the ability to grab me by the scruff of my neck and not letting me budge for the duration of their album. I am hard to please. This album is harder to resist.

Oh Land – Oh Land

Too little, too late. I wish I knew of Nanna Øland Fabricius’s music a little early this year. She came up in a chance conversation during a Feist concert, when a friend and I were talking about our musical tastes and I mentioned Bat For Lashes and Lykke Li. She was a little surprised that I hadn’t heard of Oh Land, and once I checked out this album, I figured out why. An ethereal voice, and a musical sensibility that makes you think of moonlit nights and wide open spaces. Oh Land was making this album for me, I can tell.

Muchuu – On Beyond

I would sell my soul to this brother-sister duo if I could. They’re immensely talented, Millie’s vocals and lyrics shimmering and gliding over George’s breathtaking arrangements. This is their second album, and I loved that the band stayed clear of repeating the formula of 2010′s whimsical Adventure We Go. Their music reminds me of reading Enid Blyton novels in the winter sun, of finding magic in the shape of random rocks on the ground, of wanting to run away from school and spend the afternoon exploring. It’s hard to categorize this band - the closest I can get to describing them is ‘pure’. Pure magic.

James Blake – James Blake

The first time I listened to James Blake, I nearly got arrested. I had bought new speakers – the splendiferous Audio Engine A5, and was..umm…test-driving them. At 11 PM in the night. My neighbors called the police, just when the epic build-up to ‘The Wilhelm Scream’ was on, and it is to Blake’s credit that despite being scarred by this incident, I still adore this album. It’s creepy and comforting at the same time.

Dev – The Night the Sun Came Up

Before you dismiss Dev as another dance-floor-happy Lady Gaga-wannabe, I suggest you take a good look at yourself in the mirror. There’s nothing wrong with being dance-floor-happy. Dev’s music is catchy, sassy and with the right kind of crunchiness. Funnily, the album hasn’t been released in the US yet, except for the singles ‘Dancing in the Dark’ and ‘Bass Down Low’, both of which kick maximum ass. But what surprises the most are the understated, low-key ones – ‘Dancing Shoes’, for example, and ‘Shadows’. You have my complete attention, madam.

Justice – Audio,Video, Disco

These guys made me wait a long while – I heard Cross in 2009, cruising through the mountains of Romania with a Finn. This album is like a demented electro-prog-rock mashup that is confused about its eighties-ish existence in a non-eighties world – and I do not mean this in a bad way at all. Robotic voices croon in falsetto ; phased synth leads play hide-and-seek with orchestral violins simmering with suppressed fury. And ‘Canon’, the highpoint of the album is an anthemic riff-fest that makes my heart pound just as madly as D.A.N.C.E did. This is how you live up to expectations.

Ram Sampath – Delhi Belly (OST)

Sure, weaving a song around a sophomoric swear-word gets your attention, but it’s the unpredictability of Delhi Belly that sucker-punched me. Laugh-out-loud funny, brash and dripping with wicked satire, Sampath’s  musical chutzpah can easily induce nightmares in genre purists. And in the middle of all the attitude and oomph, there’s ‘Tere Sivaa’, a tender little gem of a love song that makes me all warm and fuzzy. Now when’s this guy’s next release?

AR Rahman – Rock Star (OST)

Every time I convince myself that Rahman is done with surprises, that his music is familiar enough for me to casually dismiss any new release, the man goes and proves me wrong with stunning aplomb. The soundtrack to Rock Star deserves a post in itself, and I have allowed sufficient time to pass, to distance myself from the emotional reaction and allow an objective, balanced look at the album. But my knees still go weak when ‘Tum Ho’ plays, and ‘Phir Se Ud Chalaa’ still makes me fly. Fuck. This. Album.

Trent Reznor/Atticus Ross – The Girl With the Dragon Tattoo (OST)

Reznor and Ross collaborated for the first time on the soundtrack of The Social Network, three years ago. They won an Oscar. While the two have been keeping busy (check out their side-project How to Destroy Angels), it took David Fincher to bring the two to film scoring again, and the three-hour long soundtrack was my work-soundtrack for most of December. Grim, dark, pulsating with tension, perfectly conveying the psychotic dread of snowy Swedish expanses, and the disturbed mindscape of our heroine.

Various Artistes – The Dewarists

The Dewarists was an exciting concept in a year when every music channel in India seemed to discover the wonders of unplugged music. Most of them, like the rehash of Pakistan’s Coke Studio Sessions, crashed and burned under the weight of their not-quite-and-yet-there Bollywood hangover. But this show combined the visual splendor of a travel show (throaty voiceover included) with unlikely musical collaborations and managed to do justice to its own concept. Imogen Heap with Pentagram front-man Vishal Dadlani, folk-rockers Indian Ocean with Silk Route’s Mohit Chauhan, veteran rock bands Agnee and Parikrama collaborating with singer Shilpa Rao were some of the acts that showed the magic of good old-fashioned jam sessions, free of vacuous market-oriented pap.

Honorable Mentions: Lamb - 5,  Metronomy – The English Riviera, Cliff Martinez – Contagion OST, Bjork – Biophilia, Feist – Metals.