{"id":584,"date":"2005-08-22T13:01:00","date_gmt":"2005-08-22T13:01:00","guid":{"rendered":"http:\/\/www.beatzo.net\/blog\/2005\/08\/of-how-the-placement-of-songs-sucketh-and-other-imaginable-things\/"},"modified":"2005-08-22T13:01:00","modified_gmt":"2005-08-22T13:01:00","slug":"of-how-the-placement-of-songs-sucketh-and-other-imaginable-things","status":"publish","type":"post","link":"https:\/\/www.beatzo.net\/blog\/2005\/08\/of-how-the-placement-of-songs-sucketh-and-other-imaginable-things\/","title":{"rendered":"Of how The Placement of Songs Sucketh, and other Imaginable Things"},"content":{"rendered":"<p>Early this year, I thought of keeping tabs on which movies I see over the next twelve months, and how many times. In part inspired by <a href=\"http:\/\/adgy.livejournal.com\/\" class=\"lj-user\">adgy<\/a>, and partly because the DVD buy\/watch ratio grew to somewhat alarming levels in December. Eight months later, I get the feeling that certain tasks should not be undertaken. New Year resolutions suck. Yeah, I have been watching too many movies.<\/p>\n<p>I watched 14 movies over the three-day weekend. Some of them were repeats, <i>Jay and Silent Bob<\/i>, for instance, and <i>Akira<\/i>, and <i>The Good, The Bad and The Ugly<\/i>. <\/p>\n<p><i>Oldboy<\/i>. Finally managed to watch it last week. Park Chan Wook is God. Now to look out for the DVD of <i>Sympathy For Lady Vengeance<\/i>. And watch<i>JSA<\/i> sometime this week. <\/p>\n<p><i>The Rising<\/i>. Maybe because I spent 200 Rs for a ticket (at Inox, night show, dunno why the bastiches charge 200 for night shows), and maybe because I missed meeting Aamir Khan because I was watching <i>Stealth<\/i> at five in the evening, the movie did not&#8230;I dunno&#8230;.affect me the way I thought it would. No goosepimply moments, except at a bit towards the end. Aamir Khan rocks, Rani Mukherjee doesn&#8217;t. ( her tummy wobbles quite a bit throughout the movie, but that&#8217;s a rock of a different kind, I guess) Toby Stephen&#8217;s best lines are wasted, courtesy Om Puri&#8217;s bland-voiced commentary that pops up during any bit of English dialogue &#8211; Stephens also gets quite a bit of Hindi lines, which lose out on intensity and dramatic effect because it&#8217;s pretty obvious he is <i>reciting<\/i> them. <\/p>\n<p>Some very interesting gaffes &#8211; an English lady mouths a very twentieth-century &#8220;Wow!&#8221; when she sees an elephant, one of the Indian villagers in one of the crowd scenes is wearing a pair of trousers and shoes.<\/p>\n<p>Unfortunately, most of the songs do not fit into the narrative &#8211; except for the title song, which pops up at three different places, but again, the timeline is screwed up. I mean, the way the lyrics of the three versions are written &#8211; they evolve over a period of time. The closest analogy I can give is this. The first version, &#8216;Mangal&#8217;  is Rage Against The Machine&#8217;s &#8216;Wake Up&#8217;, beginning with an ear-grabbing refrain, and ending with an acoustic high &#8211; an appropriate background music for the birth of a hero.  The second version, &#8216;Agni&#8217;,  is like RATM&#8217;s &#8216;Killing in the Name&#8217;, sound, fury and the right amount of feeling throughout the song, echoing the call to arms. The third version &#8216;Aatma&#8217; is calm, much like RATM&#8217;s &#8216;Beautiful World&#8217; ( ok, ok, I know &#8216;Beautiful World&#8217; is a cover, but I really cannot think of anything else that comes close to Quietly RATM), an ode to martyrdom, and tinged with a bit of poignancy. OK, so you see the setup, right? What happens in the movie is &#8211; the first version plays on the day Mangal Pandey is about to die ( and doesn&#8217;t, because of certain reasons you&#8217;ll discover if you watch the film), the second version plays during the flashback, very appropriate; and the last version plays on the next day, the day he actually dies. THEY SCREWED UP THE TIMELINE, GAAAAAAAAH!!!<\/p>\n<p>(You know, it&#8217;s surprising how anal I can get about minor things, but that&#8217;s just me, I guess&#8230;.)<\/p>\n<p>And on top of that, I am lonely.<\/p>\n<p>Oh, before I forget, <lj comm=\"sangamam\"> is a Live Journal community for discussing AR Rahman, the man and his music. Join, people, join!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Early this year, I thought of keeping tabs on which movies I see over the next twelve months, and how many times. In part inspired by adgy, and partly because the DVD buy\/watch ratio grew to somewhat alarming levels in December. Eight months later, I get the feeling that certain tasks should not be undertaken. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-584","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/posts\/584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/comments?post=584"}],"version-history":[{"count":0,"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/posts\/584\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/media?parent=584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/categories?post=584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.beatzo.net\/blog\/wp-json\/wp\/v2\/tags?post=584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}