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The Apatow-a-thon continues. Watched 17 episodes of Undeclared on Saturday. This series is a spiritual sequel of sorts to Freaks and Geeks; while the latter was about high school, this is about a bunch of freshmen in college. The “undeclared” term refers to the status of an undergrad student who has not decided on a choice of major subject. Ran on Fox in 2001 and, like all Fox series that I’ve come to love, was cancelled after the first season. Not because anything was wrong with the show; apparently, Fox telecast episodes in the wrong order, confusing viewers and bringing down ratings. Worst part is, even the DVD set has the episodes in wrong order; halfway through episode 10, we figured something goofy is going on, checked Wikipedia, and proceeded to rewatch the episodes in proper order. One of the high points of watching this was the number of surprise guest appearances by quite a few of the F&G cast as grown-up versions. Apatow-regular Seth Rogen is one of the leads ( and also writes some of the episodes), and Jason Segel has a recurring role. Both of them are a treat to watch, my only gripe being that Segel seems to have been typecast as the dumped boyfriend in almost all his major roles. Case in point: the Apatow movie Forgetting Sarah Marshall, which I also watched over the weekend.

Wish-list updates: The third ( and final) volume of Osamu Tezuka’s Dororo is out. As is the first volume of his seminal Blackjack, sixteen more to go. Amazon, ahoy!

And I see a solicitation for the second Omnibus edition of The Walking Dead, out 27th November. Ooh, yeah! Not buying the first volume of this omnibus is one of the greatest Comicbook mistakes I’ve made. Still trying to find a decent copy.

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Comics

Zot update, and stuff

I just finished reading The Complete Zot, going as slow as I could. Each of the stories is followed by a commentary page by Scott McCloud, in which he would explain some of his motivations, give a bit of historical perspective to his work ( being very modest about his genius and all) and that would make me go reread the issue again just to take in the story from a fresh perspective. I never thought I would enjoy the series the way I did – in my mind, I had filed the book as ‘out-of-print curiousity’ rather than a work to be enjoyed. But once you get beyond the awkward figure-drawing and somewhat clunky dialogues, McCloud’s stories and characters radiate an old-wordly charm that is hard to explain. It is a beautiful mixture of fun superheroics and a melancholy coming-of-age story. The early issues are almost all set in Zot’s world, and the emphasis is more towards tweaking familiar superhero idioms – alas, if I had a rupee for every post-80’s series that tries to do this, I would own a Frank Miller Daredevil page by now. There are flashes of brilliance in these stories – the De-Evolutionary “Revert!” vaudevillian romp had me in stitches; it is hard to believe that a character like Arthur Dekko (and his completely-twisted worldview) could exist in a pre-Morrison Doom Patrol world; and the chilling 9Jack9 moment, where the character does the unexpected, leading to one of the most downbeat superhero endings I’ve ever read. But it is with the Earth stories, the ones in which Zot is stranded on Jenny’s (i.e our) world is where McCloud really cuts loose. It’s no longer a superhero story from then on, as individual issues are told from points of views of different characters, with Zot himself becoming little more than a presence in most of the stories. Every one of the earth stories deal with real-world themes – about adulthood, sex, same-sex relationships, responsibilities, to name a few. The book ends on a very open-ended note, possibly the best possible conclusion a series like this can have.

Oddly enough, similar themes as Zot can be seen in the TV series Freaks and Geeks. Saw all 18 episodes last weekend, based on recommendations from my friend Pablo. It was only when the credits ran at the beginning of the first episode that I realised this was a Judd Apatow production. And it had Apatow familiars Jason Segel and Seth Rogen in it. Set in a Michigan high school in 1980, and dealing primarily with the tribulations of the Weir siblings – Lindsay and Sam, the series is as much about their social universe as it is a delightfully retro look at life in the eighties. While primarily a comedy, F&G has just the right moments of drama to balance out the goofiness from time to time. The casting is note-perfect.The soundtrack is a delight, featuring bands like Joan Jett ( the title song ‘Bad Reputation’ is by her), Billy Joel, Gloria Gaynor, The Grateful Dead, Deep Purple, Van Halen, Cream, The Who – well, nearly every notable band of the time period.

Right now, I am blazing through The Big Bang Theory, and enjoying it tremendously.

A not-so-funny parody of Scott McCloud’s Google Chrome comic.

A neat feature comparison chart of the major music players on Windows – Winamp, iTunes, Windows Media Player and the somewhat lesser-known Media Monkey, which pips the others. Not too surprising for me, I’ve been using MM for nearly a year and a half now, after an eight-year relationship with Winamp, and I can vouch for its solid featureset and overall user-friendliness.

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Things of minor import

The Lagaan Box set has had its price reduced to Rs 999. Half of its initial cost. Well, what are you waiting for?

Slightly old news: Virgin Comics closes shop. Sort of. They claim there are plans to relocate to Los Angeles to be “closer to Hollywood”. Personally I think it was the mediocrity and the hype that did them in. Most of the comics I read were a confused mess. I doubt the writers involved even knew who their intended audience was. On one hand, they insisted on the strong authentic Indian experience, hyped up the reliance on Indian mythology, and came up with lumps of derivative storytelling that had more in common with fantasy cliches. Have you tried reading Ramayan 3392 AD or Devi? One was a puerile fantasy story that made the characters we know “edgy”. The other was a Witchblade rip-off, with Indian police inspectors wearing trenchcoats and skyscraper-ridden towns called Sitapur. The Sadhu, another series is described by some unknown user on Wikipedia as “comparable to Neil Gaiman’s Sandman“, which made me laugh out aloud. At the end of the day, Virgin comics was basically packaging superhero stories coated with a thin Indianised veneer and decked up with a lot of Photoshop filters. The irony is that the unavailability of the releases in non-metros in India. I have yet to see issues in any major bookstores in Hyderabad. ( MR had some second-hand copies, last I checked.)

Currently reading Zot!: The Complete Black and White Collection: 1987-1991 by Scott McCloud. Zot was a comic book published in the 80’s, written and drawn by McCloud before he took on the task of writing his trilogy of comic-book treatises. In a way, it’s a brave venture, bringing the series back in print after you’ve preached to the choir about various aspects of sequential storytelling – in the introduction, McCloud says the same thing, about his nervousness at laying bare the follies of youth before readers who are accustomed to seeing him as a comics guru. I have just begun the book, and it does not disappoint. There are glitches, obviously, but the overall package is a sturdy little relic. McCloud is vocal about the manga influence on this early work, and it shows in the pacing, the panel layouts and the action sequences. The storyline deals with a superhero from a comicbook universe arriving on “our” world, the work playing against the innocent Silver Age sensibilities of the character against mundane, real-world elements of the latter.

Two-morrows publishing, the folks who bring out really cool books and magazines on comics and comic creators, are having a sale on their site. Magazines like Rough Cut, Write Now and Comic Book Artist are on sale for 2$ each ( a 71% discount!), while the book section has upto 50% discountson them. Good stuff, wish the shipping charges to India wouldn’t be so high…

On a similar note, Top Shelf Comix have their annual $3 sale, where a number of bestselling graphic novels are offered at that price and quite a few others have discounts on them as well.

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War and Pieces

If, for any particular reason, you want to stop reading Fables, issue 75 would be a good place to hop off. Because this issue is what it was all leading to. All that build-up, all the peripheral characters, the sidetracked storylines, everything comes together in ‘War and Pieces’, the three-issue storyline that concludes in #75. This is how Bill Willingham would have ended the series had Fables not become the bestselling, spinoff-producing behemoth that it has become . The story will continue, but will it be the same? I really, really hope so. On top of it, James Jean, cover artist extraordinaire – the man responsible for establishing the classical, definitive look of the Fables comic – is bowing out to pursue a career in fine arts. Issue 82 is his last.

The short-term consequence of this is the abandonment of all hope I had of owning an original Jean Fables cover. In the long run, I foresee the end of the five-year Eisner award winning streak that the series has had for Best Cover Artist. Unless they get someone worthy enough to fill Jean’s shoes. The problem is that regular cover artists like Adam Hughes and Brian Bolland, both of whom I adore completely, lack that otherworldly painted style that Jean brought to Fables. Tara McPherson, for instance, who painted that Frau Totenkinder story in 1001 Nights of Snowfall has that special spark. So does Sam Weber, who’s done some amazing work for Vertigo’s House of Mystery, with Bill Willingham and Matthew Sturges. Ah, well, we shall see who editor Shelley Bond goes with, the official announcement should be out soon.

And in more news, All Star Batman and Robin #10 was recalled from retailers by DC. Here’s why.

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