AR Rahman, Music, Myself, Quizzing

The Rahman Quiz : Answers

The What: Hey, guess what! I am posting answers to a bunch of questions I asked seven years ago.

The What. The. Fuck: Yeah, I know. I have this bad habit of starting stuff and never finishing ’em. You know, like the rest of you fuckin’ slobs.

The Why: Because someone left a comment, and I am too nice to let comments pass by unanswered.

The Really, Why: I don’t know, man. Closure, I guess. Probably because the world is ending, one wants to wrap up unfinished business.

I thought about putting this up on Slideshare, but this was getting chatty and link-encrusted at the same time. So I figured there is no point in diverting traffic to a different site when I could just have fun in my own backyard.

Naveen is the Rahman regular on the flute/wind instruments. Who is the Rahman regular on the solo violin?

Answer

M Kalyan
Kalyan who had worked with A.R. Rahman’s father R.K. Sekar, was also part of ARR’s group right from his first film ‘Roja.’ “Rahman was a hard working boy. While working for other music directors, even during breaks, he would just stick to his keyboard and keep working on it. Highly matured even at that tender age, he was always a man of few words.”
https://www.thehindu.com/entertainment/music/violinist-kalyanam-traces-his-musical-journey/article19464000.ece

Note: since going international, Rahman has used different violinists while touring, notably Ann Marie Calhoun, who he worked with during the making of Superheavy, with Mick Jagger, Damien Marley et al.

A very peculiar music sample is associated with Raghuvaran’s character in Kaadhalan (Humse Hai Muqabla). The theme music of which other Rahman film begins with the same sound?

Answer
This is the sample I am talking about (the video should begin at t=39s).

And the other theme music is this one.

Note: Jesus, what a shitty piece of trivia to know, remember, and inflict on the world.

Which are the only Rahman songs that have been lip-synched on screen by
– Amrish Puri
– Kailash Kher

Answer

Amrish Puri – Chal Kheva Re Kheva from Doli Saja Ke Rakhna

Kailash Kher – Al Maddath Maula from Mangal Pandey: The Rising.

Both of the above, by the way, are relentlessly terrible songs, rendered even more so by their pedestrian videos. We can fight about that opinion, if you want.

Name the first Rahman film dubbed into Hindi to not have lyrics by PK Mishra/Mehboob.

For additional points, name lyricist.

Answer

This one falls in the category of “It depends”.

The official answer would be Rajiv Menon’s Sapnay, with lyrics by Javed Akhtar. Akhtar would also write the lyrics to Shankar’s Jeans the very next year, and from then on there was no looking back, and PK Mishra completely fell by the wayside.

However, Akhtar had written lyrics for Priyadarshan’s Kabhi Na Kabhi way back in 1994, with the film ultimately releasing in 1997.

But oops, there was also the matter of The Gentleman, released in 1994 in Hindi. Directed by Mahesh Bhatt with music composed by Anu Malik, except that three of the chart-busting songs were basically overdubs on the original ARR numbers from Shankar’s Gentleman. The songs were ‘Roop Suhana Lagtaa Hai’, lyrics by Indeevar, ‘Aashiqui Mein’ and ‘Chika Pika Rika’, with lyrics by Rajan Khera.

The promotional poster for which Rahman album had the words – “Chinna Chinna Aasai, Grammy vaanga aasai”?

Answer

Mm yeah, trick question. It’s a Rahman “album”, not really a movie OST. This was Magnasound’s reissue of Shubha’s 1991 album “Set Me Free” in 1996, at the peak of Rahman-madness. Marketed as “AR Rahman’s first international album”, listening to it now is extreme cringe, with some redeeming moments. Ok, fine, I still feel ‘Zombie’, fine?

Before Sukhvindara Singh sang in Dil Se (1998) and became a Rahman Regular, he wrote the lyrics for song 1 and sang song 2, for two 1997 films. Name both songs and movies.

Answer
The lyrics were for the surprisingly rambunctious bhangra version of ‘Daud’, sung by Usha Uthup.

He sang for both the Tamil and Telugu versions of ‘Lucky Lucky’, from Ratchagan/Rakshakudu. Incidentally the film debut of Sushmita Sen. Yup, Sukhvindara Singh started his singing career with Rahman with a Tamil song.

The title of which song came from a Haj visit, where ARR heard a man selling water?

Answer
This is fairly easy if you know ARR apocrypha, or understand that May’i/Moy’i is Arabic for water. The song Mayya Mayya’ from Guru featured as a Turkish cabaret song, sung by Egyptian/Canadian singer Maryem Tollar.

Rahman has often spoken of the influence of Peter Gabriel’s Passion: The Last Temptation of Christ, and used the bassline of ‘Of These, Hope’ in Anbae Anbae (Jeans). In which Rahman OST would you hear a sample from Baba Maal’s ‘Call To Prayer’ from Passion: Sources, the companion album to Passion?

Answer
This is ‘Call to Prayer’ by Baaba Maal.

And this is the theme song from ‘One Two Ka Four’.

Also features Tuvan throat singing, African drums, and a Middle-eastern groove.

What is common to the soundtracks of Jeans, Bombay, Taal, Alaipayuthey and Thiruda Thiruda? Hmm, also Vande Mataram.

Answer
All of these soundtracks came in multiple versions, some with missing songs added in different releases, others with songs in CDs but not on the cassette.

The missing songs:

  • Jeans – ‘Poonagayil Thimuthi’ and ‘Jeans theme’
  • Bombay – ‘Malarodu Malarillai’ and ‘Idhu Innai Bhoomi’. Also, the second version of the album had Remo’s chanting included in the Tamil version of ‘Humma’.
  • Taal – ‘Kya Dekh Rahe Ho Tum’
  • Alaipayuthey – ‘Endendrum Punnagayi’ and ‘Mangalyam’ were not in the original albums, but added after the movie came out
  • Thiruda Thiruda – title track, ‘Aathukulla Ayira Meenu’
  • Vande Mataram – ‘Musafir’ and ‘Masoom’, released in the international version. ‘Musafir’ was essentially Otthagatha Kattikko (Roop Suhana Lagta Hai) remixed into English. Incidentally Rahman performed ‘Masoom’ at the Independence Day concert the night of 15th August 1997. Not seeing the song on the album made me the sole person to own a bootleg version of ‘Masoom’, which I had recorded on my walkman from my TV.

Name two (non-pop) male and female singers who have sung only one song for ARR.

Answer
Male: Kumar Sanu and Roopkumar Rathod. Bonus: Babul Supriyo and Nabarun Ghosh.

Nabarun Ghosh – Sun Le O Janam (Tu Hi Mera Dil)

Female: Parul Mishra, Sapna Mukherjee

This one is tough. Initially I thought Deena Chandradas qualified for ‘Zehreela Pyaar’ in Daud. However, he sang for the dubbed versions too, disqualifying him. Suresh Wadkar sang for Rangeela, imagine my surprise when I found out that he sang the Marathi version of the Roja title track.

Sowmya Raoh was a contender for the female singer – she sang for Godfather, but turns out she also sang a song in Guru. (‘Shaouk Hai’, which does not feature in the original release of the album, so that’s another addition to the list above). So was Sandhya JK, P Susheela’s daughter-in-law, who sang Poo Kodiyin in Iruvar, but also the Telugu version.

Danny Boyle recommended song Z for the end sequence of Slumdog Millionaire, but Rahman insisted on ‘Jai Ho’, wchich was originally composed for a situation in film X, where the director chose the song Y instead. ID X, Y and Z.

Answer
Z: ‘Aaj Ki Raat’, from DonThe Chase Begins Again

Aaj Ki Raat

X and Y – Yuvvraaj and ‘Shaano Shaano’.

Shanno Shanno

It’s ok to throw up in your mouth a little, after that last song.

In an interview, ARR complained that this song X used a sample that crashed his software a record number of times (vague memory says 21). The sample was reused by artist Y as the opening song Z of an album released 2 years later. Incidentally, ARR worked with Y’s lead guitarist around that time, so that might explain this. Once again, ID X, Y and Z.

Answer
Unfortunately this is one of those answers where you will have to take my word for it. This was from some Filmfare interview I read. ARR was moving away from hardware sequencers to software in 1997-98 and among the songs that he made for Daud, with Ramgopal Verma, this one kept crashing his software.

Sting’s Brand New Day album had a song called ‘A Thousand Years’ that used the same drum sample in the beginning. Sting guitarist Dominic Miller worked with Rahman on the Vande Mataram album.

What was the first authorized remix of a Rahman track?
Who remixed it?

(Authorized: appeared on the official album)

Answer
This was Yak Bondy’s remix of Chaiyya Chaiyya, called ‘Thaiyya Thaiyya’, that appeared on the Dil Se album, featuring lyrics by Tejpal Kaur. It’s still a fascinating version of the chart-buster, where Bondy uses key elements of ARR’s production to create a sparse, minimalist song where Sukhwinder’s voice holds sway. Incidentally, on the Telugu dub of Dil Se, the main song is called Thaiyya Thaiyya while the remix is called Chaiyya Chaiyya. Go figure.

During the opening credit sequence of Rangeela, we hear the sounds of a Bombay street as the cast and production names roll. What do you hear when Rahman’s name flashes on screen?

Answer
Muqabla Muqabla, lol. Don’t take my word for it, go check the opening credits.

Which AR Rahman OST saw its CD release on a German label known for manufacturing Varese Sarabande releases for non-US markets?

Answer

Easy: Which OST features Rahman and Himesh Reshammiya together?

Answer

So, Bappi Lahiri claimed that the Hindi song B was a rip-off of his song A. A however bears more than a passing similarity to a 1974 number C. Strangely, the definitive site on Indian Music copycats mention that a Tamil song by ARR, D was inspired by C.
Identify A, B, C, D.

Answer
https://www.youtube.com/watch?v=N7JsIvYvsFA

By Rahman’s own admission (and a mention in one of his biographies), which album did he compose in the shortest period of time?
6 days, if I remember right.
And a damn fine album it is, too.

Answer
No citation again. Karuthamma, by Bharthiraja.

The name of which Rahman song translates to “The Chosen One”

Answer
So AR Rahman’s scores, in addition to rocking my adolescence with their music, have also led to an education in Islam-related factoids, especially with the man’s choice of song titles. Who would have thought that ‘Kun Faya Kun’ refers to the creation of all existence? Did anyone know that the word ‘Fanaa’ means ‘annihilation of the self’, before the song made an appearance in an ARR song?

So yeah, “the chosen one”? This song. Incidentally a track whose visuals can be interpreted as one of the greatest same-sex anthems ever made in Indian cinema.

“When we did (film) A, we had a song in the beginning and we used (song) B while shooting and editing. We went through HMV and asked for the rights to B and they quoted 1 crore rupees. We said “forget it”, composed a new piece C and it came out fine. Much later, they asked us permission to use (song) D. We quoted exactly the same figure.”
Who, talking about what?

Answer
Mani Ratnam is the “who”. As for the what….

https://www.youtube.com/watch?v=IdS5qckKg3w

Ok everyone, in case you liked what you saw, please like, comment, and subscr…no. *Seppuku intensifies*

Standard
AR Rahman, Music, Quizzing

The Rahman Quiz

While I acknowledge that I am a Lapsed Quizzer, there comes a time in a man’s life when he is forced to shake that queasy (yeah, fine, pun intended) feeling out of himself by going all Powerpointy. I have been listening to some Rahman every now and then. Though I tend to stay away from his earlier catalog as much as I can, ever since that year-long sabbatical from his music. A friend and I were talking about “Aha” moments in his songs – where random back-up singers go “aha”, like in ‘Kilimanjaro’ and the title track of Parthaley Paravasam. We tried to think of other songs of a similar nature, and suddenly I found odd bits of trivia popping up in my head. So here, out, damned spot. A bunch of 20 questions that are somewhat sensible, and sometimes not. Please make sure to read the fine print (second slide), and come back here for answers in a few days.

(For those who cannot see what’s below, it’s supposed to be an embedded Slideshare iFrame. Here’s a direct link to the page.

Standard
Quizzing, Weirdness

Dots

In a different time and place, this would be a quiz question. For now, this is a story.

Cesare was among the richest of the land, of his time. And he was a good man, from what little we know of him. Unfortunately, the politics of his time did not allow for much leeway towards a man like Cesare. The principal monarch of the province where he lived was the son of the religious head of the time. Together, father and son had pillaged the nation. They pursued a series of wars that, in name, sought to unite the country but was a convenient means to bulldoze all opposition, real and imaginary, to their vainglorious ambitions. And now, with peace dawning on the horizon, the state’s coffers lay empty. Plans were made to replenish the treasury – not in an orderly and legal manner, but much like their wartime maneuvers, through treachery and death. A scheme that would not only repay the money lost, but reap dividends by adding to their personal wealth.

Cesare sighed to himself when he unfurled the invitation and read through it. He and another nobleman named Roderigo found their stature elevated, they were declared seconds-in-command to the Head of the Church. It was an honor that would have flattered other men in his position. Cesare, on the other hand, read between the lines. The fine print that spoke of relinquishing all personal belongings to the state in return for this new post. The fact that the only two people who were entrusted with this responsibility also happened to be the wealthiest men in the land.

It was the final clause of the invitation that made him squeeze the grip of his armchair to keep from fainting outright. It stated the date and time of a personal dinner with the king and his father. He knew that modus operandi and the inevitable fate that awaited him. Other men would have attempted flight or worked on a plan of retaliation. But Cesare chose to be an optimist – he knew of others being asked to attend similar dinners, where the invitation included every single member of the doomed guest’s extended family, by name. Here, the only casualty was his own self, and probably his fortune. Any sign of desperation, any clue that he had seen through the monarch’s ruse would endanger his family even more. He had but a few days  to settle his affairs, and he began to do so in earnest – by writing a his will . A trusted nephew was to be his beneficiary and the sole keeper of  the vast reserves of the family wealth.

On the appointed day of the dinner, Cesare reached the monarch’s palace and made his way to the vineyard. The first person who caught his eye was his nephew, sitting next to the king. The king gave him a meaningful glance – clearly, this was one last jibe at him, showing him how all eventualities had been considered by these fine statesmen. The bottle of wine from which the king poured glass after glass to Cesare’s nephew was now proffered to him. He mutely accepted, resigning himself to his fate. It took one hour for the poison to kill the two of them, uncle and nephew. Cesare breathed his last at the vineyard, still dining with the king. The nephew begged to be excused so that he could see his wife one last time. He died at the doorstep of his own house, his wish unfulfilled.

The king swooped in after the funeral, claiming the dead nobleman’s inheritance for the treasury. But what was this? Except for the mansion where he lived and the contents within, his wealth was nowhere to be found. His will had a few lines in which he bequeathed his library and his collection of books, specifically his favorite prayer book, to his nephew. Despite the ransacking and assiduous searches that followed, there was no sign of the family fortune. Finally, they gave up their hunt – the landed property in that provincial town was hardly worth the effort, and were left to the nobleman’s family. Some of the other heirs tried looking for the money, but that proved futile as well.

Time passed. The king’s father died, poisoned by a political enemy. The king was driven away from the country, history does not even record the cause, place or time of his eventual death. Cesare’s family continued living in a state of moderate comfort, and as generations passed, the story of the missing inheritance became a topic of dinner-time chatter. His descendants became soldiers, diplomats, bankers and men of the Church. The library, the prayer book included, stayed within the family as a source of much curiosity. Sometimes, an adventurous scholar would try looking for clues among the books, others would laugh at their mad quest.

This is where my story ends.

I did not make this up. This really happened, but it is a story that not many people know, because it gets overshadowed by another tale, one involving a young man from a different country. By a strange turn of events, this young man was to become the sole benefactor of this sordid political maneuver.

Your mission, should you choose to accept it, is to complete my story. Connect the dots, if you will.

Standard
Myself, Quizzing

Nostalgia: The first Nihilanth

For those who came in late, Nihilanth is an inter-IIT-IIM quiz festival that is held every once in a while. It’s technically supposed to be organized on an annual basis, but that does not happen. It is held at a random IIT or an IIM, the choice of institute being decided by the sudden death of two randomly selected quizzers from every institute on a deserted island, or so I hear.

My association with this festival goes back to the very first time it was organized – brace yourselves, young ‘uns, it was way back in 2003. NINE YEARS, holy moley! I was 23, about to turn 24, and the only quizzes I had conducted so far were in my own college, and in a local Warangal school, where the kids really enjoyed the impromptu Harry Potter round. Except the ones that had not read Harry Potter by then, the little losers. Well anyway, what happened was that we had organized a quiz festival (called Trivium) in our college a few years ago, and I did the music and movie quiz. A bunch of students from REC Surathkal were in attendance, and proceeded to make a killing at the events. They won nearly every quiz, and were kind enough to take us quiz-masters out for dinner as well with their hard-earned prize money. One of them happened to go to IIM Indore a few years later, and it was him – Suryakrishna Tamada Tatineni, ‘Suki’ for short, who had the bright idea of organizing an inter-IIT-IIM event. And the brighter idea of inviting me to conduct the Entertainment quiz.

Somewhere down the line, people seem to have come to the conclusion that I was responsible for naming the aforementioned quiz the ‘MELA’, short for Music(or Movies) Entertainment Literature and Arts, thereby starting the tradition of referring to every entertainment quiz by that name. People are wrong. Personally I thought the name is a ghastly one and I have no idea who coined it. But for better or worse, it has stuck, and I suppose it does not really sound that bad now.

I wasn’t paid much for my services. But that did not matter, I was over the moon at being invited. Why? Because the General quiz was being conducted by a certain Siddharth Basu. I was going to conduct a quiz with – okay, technically just at the same venue, but still – the guy who got a majority of college students in India addicted to quizzing. Yes, this was a Fucking Big Deal indeed. I found out later that the man was paid a 100 times my fee. Heh, now that was a Big Deal.

But screw that. A lot of things came about thanks to that quiz. It jump-started my alternative career as Quizmaster for college festivals around India – which in turn nourished finances for my fledgling comic art collection. The spurt in invites happened primarily because the people who attended the MELA liked it a lot, and when they needed a quiz-master for their college fests, they gave me a chance. Gaurav Sabnis was there. I remember his college contingent being a little late to my quiz, because of which I had go through my prelims again. He had very kind things to say about it – little wonder then that the second quiz I conducted was in IIM Lucknow the next year. Arnav Sinha was in IIT Delhi, and was one of the reasons I was the first QM they locked on when Nihilanth happened there the second time, a few years later. This was also the first time I met Shamanth and Siddharth (who, as I realized recently, keeps popping into the blog every now and then – hi again, Bofi!) They did not make it to the finals of my quiz, but kicked ass in all the others. Fellow Hyderabad-quizzers Dhaaji and Anil were in attendance too – Anil could not participate that year, but Dhaaji did, as a solo IIM Bangalore representative if I remember correctly. I believe I lost all chances of doing a quiz at IIM Bangalore because one of my questions involved identifying the Beatles, from a demo of  ‘Strawberry Fields’, and that pissed him off beyond belief. Sheesh. I wish I have an excuse, but I don’t. What the hell was I thinking?

It was not entirely by coincidence that I ended up in the same taxi as my fellow-Quizmaster doing the Science and Sports quizzes at the event. We were housed in adjacent rooms at the Hotel Sayaji Grande after all, and over genial breakfast conversation on Saturday, we learnt of common interests. Phone numbers, as well as trivia about Richmal Crompton and Tintin comics were exchanged. We promised to stay in touch, more so because he tantalized me with news about how a friend from the USA had gotten him six CDs full of digital comics. I had heard of Arul Mani before, but that was the first time I met the Good Doctor. Neither his magnificent whiskers nor his patented Thigh Grab were on display that day, but it was an auspicious start to a long and lesbian-vampire-enriched relationship. Meeting Arul was also how I found myself in Daly Memorial Hall one fine Sunday that year, asking questions about Malini Iyer, HP Lovecraft and Artemis Fowl to a mostly-befuddled audience of Karnataka Quiz Association members.

So why am I talking about this today? Because of my books, surprisingly. You see, all my books just arrived yesterday from India, and are currently taking up a bulk of my apartment-space. I have been halfheartedly opening up some of them this evening, trying not to hyperventilate in the process. And I came across a bunch of pictures. Most of them were taken by a helpful student on my camera (trivia: the camera was part of my winnings at the Saarang 2001 Main Quiz at IIT Madras). Yes, it was a film camera, and yes, the photographs are mostly crap. But still, a hearty steaming slice of nostalgia.

This year’s Nihilanth was held at IIM Lucknow a few days ago, and it was the first in which I did not conduct a single quiz. On the plus side, I go to watch Porco Rosso in the Egyptian theater tomorrow.

Standard