AR Rahman, Music, Myself, Quizzing

The Rahman Quiz : Answers

The What: Hey, guess what! I am posting answers to a bunch of questions I asked seven years ago.

The What. The. Fuck: Yeah, I know. I have this bad habit of starting stuff and never finishing ’em. You know, like the rest of you fuckin’ slobs.

The Why: Because someone left a comment, and I am too nice to let comments pass by unanswered.

The Really, Why: I don’t know, man. Closure, I guess. Probably because the world is ending, one wants to wrap up unfinished business.

I thought about putting this up on Slideshare, but this was getting chatty and link-encrusted at the same time. So I figured there is no point in diverting traffic to a different site when I could just have fun in my own backyard.

Naveen is the Rahman regular on the flute/wind instruments. Who is the Rahman regular on the solo violin?

Answer

M Kalyan
Kalyan who had worked with A.R. Rahman’s father R.K. Sekar, was also part of ARR’s group right from his first film ‘Roja.’ “Rahman was a hard working boy. While working for other music directors, even during breaks, he would just stick to his keyboard and keep working on it. Highly matured even at that tender age, he was always a man of few words.”
https://www.thehindu.com/entertainment/music/violinist-kalyanam-traces-his-musical-journey/article19464000.ece

Note: since going international, Rahman has used different violinists while touring, notably Ann Marie Calhoun, who he worked with during the making of Superheavy, with Mick Jagger, Damien Marley et al.

A very peculiar music sample is associated with Raghuvaran’s character in Kaadhalan (Humse Hai Muqabla). The theme music of which other Rahman film begins with the same sound?

Answer
This is the sample I am talking about (the video should begin at t=39s).

And the other theme music is this one.

Note: Jesus, what a shitty piece of trivia to know, remember, and inflict on the world.

Which are the only Rahman songs that have been lip-synched on screen by
– Amrish Puri
– Kailash Kher

Answer

Amrish Puri – Chal Kheva Re Kheva from Doli Saja Ke Rakhna

Kailash Kher – Al Maddath Maula from Mangal Pandey: The Rising.

Both of the above, by the way, are relentlessly terrible songs, rendered even more so by their pedestrian videos. We can fight about that opinion, if you want.

Name the first Rahman film dubbed into Hindi to not have lyrics by PK Mishra/Mehboob.

For additional points, name lyricist.

Answer

This one falls in the category of “It depends”.

The official answer would be Rajiv Menon’s Sapnay, with lyrics by Javed Akhtar. Akhtar would also write the lyrics to Shankar’s Jeans the very next year, and from then on there was no looking back, and PK Mishra completely fell by the wayside.

However, Akhtar had written lyrics for Priyadarshan’s Kabhi Na Kabhi way back in 1994, with the film ultimately releasing in 1997.

But oops, there was also the matter of The Gentleman, released in 1994 in Hindi. Directed by Mahesh Bhatt with music composed by Anu Malik, except that three of the chart-busting songs were basically overdubs on the original ARR numbers from Shankar’s Gentleman. The songs were ‘Roop Suhana Lagtaa Hai’, lyrics by Indeevar, ‘Aashiqui Mein’ and ‘Chika Pika Rika’, with lyrics by Rajan Khera.

The promotional poster for which Rahman album had the words – “Chinna Chinna Aasai, Grammy vaanga aasai”?

Answer

Mm yeah, trick question. It’s a Rahman “album”, not really a movie OST. This was Magnasound’s reissue of Shubha’s 1991 album “Set Me Free” in 1996, at the peak of Rahman-madness. Marketed as “AR Rahman’s first international album”, listening to it now is extreme cringe, with some redeeming moments. Ok, fine, I still feel ‘Zombie’, fine?

Before Sukhvindara Singh sang in Dil Se (1998) and became a Rahman Regular, he wrote the lyrics for song 1 and sang song 2, for two 1997 films. Name both songs and movies.

Answer
The lyrics were for the surprisingly rambunctious bhangra version of ‘Daud’, sung by Usha Uthup.

He sang for both the Tamil and Telugu versions of ‘Lucky Lucky’, from Ratchagan/Rakshakudu. Incidentally the film debut of Sushmita Sen. Yup, Sukhvindara Singh started his singing career with Rahman with a Tamil song.

The title of which song came from a Haj visit, where ARR heard a man selling water?

Answer
This is fairly easy if you know ARR apocrypha, or understand that May’i/Moy’i is Arabic for water. The song Mayya Mayya’ from Guru featured as a Turkish cabaret song, sung by Egyptian/Canadian singer Maryem Tollar.

Rahman has often spoken of the influence of Peter Gabriel’s Passion: The Last Temptation of Christ, and used the bassline of ‘Of These, Hope’ in Anbae Anbae (Jeans). In which Rahman OST would you hear a sample from Baba Maal’s ‘Call To Prayer’ from Passion: Sources, the companion album to Passion?

Answer
This is ‘Call to Prayer’ by Baaba Maal.

And this is the theme song from ‘One Two Ka Four’.

Also features Tuvan throat singing, African drums, and a Middle-eastern groove.

What is common to the soundtracks of Jeans, Bombay, Taal, Alaipayuthey and Thiruda Thiruda? Hmm, also Vande Mataram.

Answer
All of these soundtracks came in multiple versions, some with missing songs added in different releases, others with songs in CDs but not on the cassette.

The missing songs:

  • Jeans – ‘Poonagayil Thimuthi’ and ‘Jeans theme’
  • Bombay – ‘Malarodu Malarillai’ and ‘Idhu Innai Bhoomi’. Also, the second version of the album had Remo’s chanting included in the Tamil version of ‘Humma’.
  • Taal – ‘Kya Dekh Rahe Ho Tum’
  • Alaipayuthey – ‘Endendrum Punnagayi’ and ‘Mangalyam’ were not in the original albums, but added after the movie came out
  • Thiruda Thiruda – title track, ‘Aathukulla Ayira Meenu’
  • Vande Mataram – ‘Musafir’ and ‘Masoom’, released in the international version. ‘Musafir’ was essentially Otthagatha Kattikko (Roop Suhana Lagta Hai) remixed into English. Incidentally Rahman performed ‘Masoom’ at the Independence Day concert the night of 15th August 1997. Not seeing the song on the album made me the sole person to own a bootleg version of ‘Masoom’, which I had recorded on my walkman from my TV.

Name two (non-pop) male and female singers who have sung only one song for ARR.

Answer
Male: Kumar Sanu and Roopkumar Rathod. Bonus: Babul Supriyo and Nabarun Ghosh.

Nabarun Ghosh – Sun Le O Janam (Tu Hi Mera Dil)

Female: Parul Mishra, Sapna Mukherjee

This one is tough. Initially I thought Deena Chandradas qualified for ‘Zehreela Pyaar’ in Daud. However, he sang for the dubbed versions too, disqualifying him. Suresh Wadkar sang for Rangeela, imagine my surprise when I found out that he sang the Marathi version of the Roja title track.

Sowmya Raoh was a contender for the female singer – she sang for Godfather, but turns out she also sang a song in Guru. (‘Shaouk Hai’, which does not feature in the original release of the album, so that’s another addition to the list above). So was Sandhya JK, P Susheela’s daughter-in-law, who sang Poo Kodiyin in Iruvar, but also the Telugu version.

Danny Boyle recommended song Z for the end sequence of Slumdog Millionaire, but Rahman insisted on ‘Jai Ho’, wchich was originally composed for a situation in film X, where the director chose the song Y instead. ID X, Y and Z.

Answer
Z: ‘Aaj Ki Raat’, from DonThe Chase Begins Again

Aaj Ki Raat

X and Y – Yuvvraaj and ‘Shaano Shaano’.

Shanno Shanno

It’s ok to throw up in your mouth a little, after that last song.

In an interview, ARR complained that this song X used a sample that crashed his software a record number of times (vague memory says 21). The sample was reused by artist Y as the opening song Z of an album released 2 years later. Incidentally, ARR worked with Y’s lead guitarist around that time, so that might explain this. Once again, ID X, Y and Z.

Answer
Unfortunately this is one of those answers where you will have to take my word for it. This was from some Filmfare interview I read. ARR was moving away from hardware sequencers to software in 1997-98 and among the songs that he made for Daud, with Ramgopal Verma, this one kept crashing his software.

Sting’s Brand New Day album had a song called ‘A Thousand Years’ that used the same drum sample in the beginning. Sting guitarist Dominic Miller worked with Rahman on the Vande Mataram album.

What was the first authorized remix of a Rahman track?
Who remixed it?

(Authorized: appeared on the official album)

Answer
This was Yak Bondy’s remix of Chaiyya Chaiyya, called ‘Thaiyya Thaiyya’, that appeared on the Dil Se album, featuring lyrics by Tejpal Kaur. It’s still a fascinating version of the chart-buster, where Bondy uses key elements of ARR’s production to create a sparse, minimalist song where Sukhwinder’s voice holds sway. Incidentally, on the Telugu dub of Dil Se, the main song is called Thaiyya Thaiyya while the remix is called Chaiyya Chaiyya. Go figure.

During the opening credit sequence of Rangeela, we hear the sounds of a Bombay street as the cast and production names roll. What do you hear when Rahman’s name flashes on screen?

Answer
Muqabla Muqabla, lol. Don’t take my word for it, go check the opening credits.

Which AR Rahman OST saw its CD release on a German label known for manufacturing Varese Sarabande releases for non-US markets?

Answer

Easy: Which OST features Rahman and Himesh Reshammiya together?

Answer

So, Bappi Lahiri claimed that the Hindi song B was a rip-off of his song A. A however bears more than a passing similarity to a 1974 number C. Strangely, the definitive site on Indian Music copycats mention that a Tamil song by ARR, D was inspired by C.
Identify A, B, C, D.

Answer
https://www.youtube.com/watch?v=N7JsIvYvsFA

By Rahman’s own admission (and a mention in one of his biographies), which album did he compose in the shortest period of time?
6 days, if I remember right.
And a damn fine album it is, too.

Answer
No citation again. Karuthamma, by Bharthiraja.

The name of which Rahman song translates to “The Chosen One”

Answer
So AR Rahman’s scores, in addition to rocking my adolescence with their music, have also led to an education in Islam-related factoids, especially with the man’s choice of song titles. Who would have thought that ‘Kun Faya Kun’ refers to the creation of all existence? Did anyone know that the word ‘Fanaa’ means ‘annihilation of the self’, before the song made an appearance in an ARR song?

So yeah, “the chosen one”? This song. Incidentally a track whose visuals can be interpreted as one of the greatest same-sex anthems ever made in Indian cinema.

“When we did (film) A, we had a song in the beginning and we used (song) B while shooting and editing. We went through HMV and asked for the rights to B and they quoted 1 crore rupees. We said “forget it”, composed a new piece C and it came out fine. Much later, they asked us permission to use (song) D. We quoted exactly the same figure.”
Who, talking about what?

Answer
Mani Ratnam is the “who”. As for the what….

https://www.youtube.com/watch?v=IdS5qckKg3w

Ok everyone, in case you liked what you saw, please like, comment, and subscr…no. *Seppuku intensifies*

Standard
Myself, Quizzing

Nostalgia: The first Nihilanth

For those who came in late, Nihilanth is an inter-IIT-IIM quiz festival that is held every once in a while. It’s technically supposed to be organized on an annual basis, but that does not happen. It is held at a random IIT or an IIM, the choice of institute being decided by the sudden death of two randomly selected quizzers from every institute on a deserted island, or so I hear.

My association with this festival goes back to the very first time it was organized – brace yourselves, young ‘uns, it was way back in 2003. NINE YEARS, holy moley! I was 23, about to turn 24, and the only quizzes I had conducted so far were in my own college, and in a local Warangal school, where the kids really enjoyed the impromptu Harry Potter round. Except the ones that had not read Harry Potter by then, the little losers. Well anyway, what happened was that we had organized a quiz festival (called Trivium) in our college a few years ago, and I did the music and movie quiz. A bunch of students from REC Surathkal were in attendance, and proceeded to make a killing at the events. They won nearly every quiz, and were kind enough to take us quiz-masters out for dinner as well with their hard-earned prize money. One of them happened to go to IIM Indore a few years later, and it was him – Suryakrishna Tamada Tatineni, ‘Suki’ for short, who had the bright idea of organizing an inter-IIT-IIM event. And the brighter idea of inviting me to conduct the Entertainment quiz.

Somewhere down the line, people seem to have come to the conclusion that I was responsible for naming the aforementioned quiz the ‘MELA’, short for Music(or Movies) Entertainment Literature and Arts, thereby starting the tradition of referring to every entertainment quiz by that name. People are wrong. Personally I thought the name is a ghastly one and I have no idea who coined it. But for better or worse, it has stuck, and I suppose it does not really sound that bad now.

I wasn’t paid much for my services. But that did not matter, I was over the moon at being invited. Why? Because the General quiz was being conducted by a certain Siddharth Basu. I was going to conduct a quiz with – okay, technically just at the same venue, but still – the guy who got a majority of college students in India addicted to quizzing. Yes, this was a Fucking Big Deal indeed. I found out later that the man was paid a 100 times my fee. Heh, now that was a Big Deal.

But screw that. A lot of things came about thanks to that quiz. It jump-started my alternative career as Quizmaster for college festivals around India – which in turn nourished finances for my fledgling comic art collection. The spurt in invites happened primarily because the people who attended the MELA liked it a lot, and when they needed a quiz-master for their college fests, they gave me a chance. Gaurav Sabnis was there. I remember his college contingent being a little late to my quiz, because of which I had go through my prelims again. He had very kind things to say about it – little wonder then that the second quiz I conducted was in IIM Lucknow the next year. Arnav Sinha was in IIT Delhi, and was one of the reasons I was the first QM they locked on when Nihilanth happened there the second time, a few years later. This was also the first time I met Shamanth and Siddharth (who, as I realized recently, keeps popping into the blog every now and then – hi again, Bofi!) They did not make it to the finals of my quiz, but kicked ass in all the others. Fellow Hyderabad-quizzers Dhaaji and Anil were in attendance too – Anil could not participate that year, but Dhaaji did, as a solo IIM Bangalore representative if I remember correctly. I believe I lost all chances of doing a quiz at IIM Bangalore because one of my questions involved identifying the Beatles, from a demo of  ‘Strawberry Fields’, and that pissed him off beyond belief. Sheesh. I wish I have an excuse, but I don’t. What the hell was I thinking?

It was not entirely by coincidence that I ended up in the same taxi as my fellow-Quizmaster doing the Science and Sports quizzes at the event. We were housed in adjacent rooms at the Hotel Sayaji Grande after all, and over genial breakfast conversation on Saturday, we learnt of common interests. Phone numbers, as well as trivia about Richmal Crompton and Tintin comics were exchanged. We promised to stay in touch, more so because he tantalized me with news about how a friend from the USA had gotten him six CDs full of digital comics. I had heard of Arul Mani before, but that was the first time I met the Good Doctor. Neither his magnificent whiskers nor his patented Thigh Grab were on display that day, but it was an auspicious start to a long and lesbian-vampire-enriched relationship. Meeting Arul was also how I found myself in Daly Memorial Hall one fine Sunday that year, asking questions about Malini Iyer, HP Lovecraft and Artemis Fowl to a mostly-befuddled audience of Karnataka Quiz Association members.

So why am I talking about this today? Because of my books, surprisingly. You see, all my books just arrived yesterday from India, and are currently taking up a bulk of my apartment-space. I have been halfheartedly opening up some of them this evening, trying not to hyperventilate in the process. And I came across a bunch of pictures. Most of them were taken by a helpful student on my camera (trivia: the camera was part of my winnings at the Saarang 2001 Main Quiz at IIT Madras). Yes, it was a film camera, and yes, the photographs are mostly crap. But still, a hearty steaming slice of nostalgia.

This year’s Nihilanth was held at IIM Lucknow a few days ago, and it was the first in which I did not conduct a single quiz. On the plus side, I go to watch Porco Rosso in the Egyptian theater tomorrow.

Standard
Uncategorized

Nihilanth 2008

Part of the aftermath of every quiz I conduct is the proliferation of questions-that-should-have-been. I kid you not, it’s almost like Nature unburdens herself with a deluge of quiz-worthy information just to spit in your eye and rub it in about how much your quiz sucked and how better it would have been had you just read this bit of news one week ago, or if only you thought of that particular theme topic, or…

Ah well, the trick is to ignore all of the self-loathing and move on in life. As far as I am concerned, I just finished a quiz, and it went well, according to the organisers and quite a few of the participants. It was the Entertainment quiz for Nihilanth 2008, organised by IIT Bombay. Nihilanth, for those who came in late, is an inter-IIT-IIM quiz festival that has been around since 2002. In theory an annual event, it suffers from frequent lapses in its agenda; not without reason – the selection of venue and time of the year in which to conduct the fest is a humongously complicated process that involves blood sacrifices under the full moon, tactical maneuvers fought with eldritch weapons and followed by much lamentation of women. Uh, complicated process, don’t bother. But doing a Nihilanth quiz has always been fun. The first one was my first ever professional outing as a QM, one that brought me into contact with quite a few interesting people, set in motion a frenzied quiz-outings across institutes throughout the country and also ensured a steady supply of Sino-Japanese-Korean content into my hard drive. This one had zero effect on hard drive, but was fun all the same.

What surprised me the most this time when I entered the hall was the number of familiar faces in attendance. Quizzing folks I remembered meeting from quite-a-few-years-ago and who I was pretty sure would be off the college circuit by now. Then I realised the bulk of them were ex-IITians who were now IIMians. The Prelims went by without a hiccup, and because there was a lunch break before the finals, I got some time to polish up the slides for the Finals, sat back and read Warren Ellis’s Thunderbolts until the quiz began at 2. Apart from a bit of confusion in the middle of the finals where some of the videos did not show up on the projection screen – I had to exit the presentation, which in turn crashed Powerpoint and forced me to reboot the laptop – the finals went pretty much on time and in synch with whatever expectations I had. A long visual connect in the middle caused an incredible upset in the rankings because the IIM Kozhikode team ( which included LVC veteran Shamanth ) cracked it early on. IIM Indore maintained their lead throughout the quiz. Quite a few teams from IIMA were in the finals, and I believe one of them came third. Because there was a bit of time left and also because IITM weren’t anywhere around, I snuck in my second long visual connect as well. I had put it on hold the day before because udupendra told me there was something similar asked in this year’s Saarang, the kind of information that forces hasty rearrangement of slides and much heart-burn.

The trip was pretty hectic because I wanted to be back early on Sunday, and the only other quiz I managed to attend was Shamanth’s Lone Wolf quiz. That officially makes him the first quizmaster+participant in Nihilanth history. Scheduled to begin at 7 PM, it began at around 11 PM, not for any fault of the organisers, apparently there was a clash of venues with another event. This brought back good memories of late-night ( or early-morning, depending on how you look at it) quizzes of yore, but my biological clock just could not handle the sleep-cycle shift and I crashed at around 2:30 AM.

Hold on a second, you ask. Wasn’t I supposed to be off quizzing? Well, yes I was. I guess this stint officially ends my sabbatical. Oh yes, world, I am back. ( You can be Mozart, if you want.)

Standard
Myself, Quizzing

On The Quiz Trail vol 1

I have a feeling I am going to enjoy this.

Hectic days, yesterday and today – what with finishing touches to questions, juggling CD burning schedules among friends, receiving relatives at the railway station, more fine-tuning of questions and rounds, and then, a long and weary voyage to the land of Suki.

Tip of the day: Hotel Sayaji Grande ( don’t forget the ‘e’ at the end, it’s not ‘Grand’, it’s ‘Grande’. Additional information never hurts) happens to be the poshest hotel in Indore. On the sixth floor of the aforenamed hotel, the Grande Suite seems to have the best rooms in town. Arul Mani is staying next door, and Mr Basu will arive tomorrow. Hmmmm……

I wandered around the room, exploring and reminding myself of the lost-daughter-who-had-the-plague legend ( normal behaviour, as far as I am concerned ), opened the cupboard to check for languishing skeletons, peeped into the bathroom and saw there were no decaying hands protruding from the bath-tub. I am not drawing the shower curtains when I take a bath, no sir, it’s too Psychoey in there.

There’s a 21-inch flat TV in the room ( no, I didn’t measure it or something. It just looks like it’s a 21-inch TV. ) and I just ordered Chicken Stroganoff for dinner. Oh, and the computer in seems to be connected to the Internet, because I can see my LiveJournal Friends page ( It’s shocking, how my Internet Priorities have changed over the past year. I did check my Yahoomail first.)and the occasional window saying “Hot Chinese babes for only $3 a month” comes up from time to time, so I have no doubts as to what the previous occupants of room 617 were up to.

I was in Mumbai for eight hours. That is two hours more than I was supposed to, and that was because I encountered my first Aerial Traffic Jam. ( Considering the fact that this was my third flight, the statistics are not that encouraging.) Met vrikodhara, took one more step towards self-globalisation by having my first Big Mac. Thanks, buddy, for the Vachss and the Garner. Legends will be wending its way to Mumbai shortly.

Mandatory whine: Oh, why do I lust for things beyond my reach? Mani Ratnam’s Bombay DVD is priced at 495 rupees, with all other Indian DVDs at 345. The cd of Peter Gabriel’s Passion hasn’t been imported in a year. And they had Tubular Bells volume TWO, when it’s one I want!!!!

On the flip side, I bought the cd of Sardari Begum, so things weren’t that bad at Planet M.

The smell of Chicken Stroganoff is getting too much.

The car comes for me at seven-thirty tomorrow morning. Tchah! Waking before noon on Saturdays should be declared a capital crime.

Standard