Books

Twenty Fifteen, Post 6: Why ads matter

This one goes out to everyone who has Ad Blocker on their browsers.

I don’t do it. I let the ads come. I click on skip for the ones that have the skip button enabled after 4 seconds. It’s fine, I can deal with the creeping tension; after all, I have lived in a time when loading a 7-minute YouTube video would take 45 minutes. And even if I cannot skip through the ad, that’s okay too. I go get myself a coffee, or check Twitter. I mean – really, people? With all the time on our hands nowadays, the least you can do is to surrender to serendipity every now and then, okay?

Because that’s how I found out about Simon Rich. All of you who already know him, you can walk away now, nothing for you here. Thanks for dropping in, guys. We will talk more next time.

The rest of you, we need to talk about Simon Rich. So this guy, right? He writes for the New Yorker, has a bunch of published stuff. Short stories, a few novels.

Uh, no, they do not show ads for books on the ol’ videorama – it was a trailer for a TV series called Man Seeking Woman. It premieres tomorrow, apparently. I watched it because Jay Baruchel was in it, and my Undeclared cred demanded that I give my man Steven Karp my undivided attention as he waltzed through hailstorms, torture, and blind-dating a troll, all in the quest for love. The TV show looked like an over-the-top examination of 21st century romantic cliches, the kind of laugh-out-loud absurdity that Silicon Valley brought to the table last year.

Digging into details about the show, I found out that the show-runner, creator and exec producer was this gentleman mentioned above, and apparently the show was based on one of his short story collections called The Last Girlfriend on Earth and Other Stories. Which I finished reading just now. It’s a short book that can be finished in under an hour, and it was funny funny. I laughed out loud at nearly every other page; some are politically incorrect, others not as funny overall, but they are all distinctive – and weird. I plan to go read his other books now, and I hope the show lives up to its zany premise.

Here are some of his New Yorker stories available for free online.

Unprotected. (The first story in The Last Girlfriend, very Toy Story-esque)

Sell Out. (a four part serialization, and is supposed to be a Seth Rogen movie soon)

I Love Girl. (also from The Last Girlfriend)

[amazon asin=B008AS4UQE&template=iframe image]

 

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Books

Twenty Fifteen, Post Two

I began reading a 11-volume series of books on world history. It’s called ‘The Story of Civilization‘, by Will and Ariel Durant. Much like the most of my book shopping nowadays – ahem, with the exception of signed Subterranean Press books – I picked up 9 out of the 11 volumes in a Long Beach used bookstore, for the grand total of 9 dollars and 90 cents (10% sales tax). I had to get my car from the parking lot, park illegally outside the bookstore and wave at the sales guy to come out with some of the books, because they are heavy, bulky 1000-page volumes.

So why did I begin this year with this apparent ordeal of going through 9000+ pages of history? Therein lies a short tale.

Last year, one of my friends was appearing for the GRE. Her scores in the quantitative section were off the charts. In the verbal section, she scored really well in the vocabulary questions, but her reading comprehension section left much to be desired. Emergency help was sought, and I sat down and tried to help her reason through some of the essays in the test material. And then I realized that the problem was not just about comprehension, it was also about context.

You see, my friend – for no fault of hers – could not get a grasp of the subject matter that appeared in those essays. Most of them were literary criticism or snippets from world history. Words like “Byzantine”, “Renaissance” and “Holocaust” stumped her, and cost her precious minutes as she read and reread those passages, trying to glean whatever meaning she could.

So I ended up giving her a primer in world history, in one hour. It was a fun, challenging exercise – it had been a long time since I had talked about topics like the Holy Roman Empire, the Crusades, the Silk Route, or even World War II. In the middle of that hour-long conversation, I realized that my dates were all over the place – suddenly, I could no longer place Indian history in relation with the birth of Islam (was it Harsha ruling Central India at the time, or was it the Kushans? Or both?), or even that of the Renaissance vis-a-vis the Reformation. Don’t get me wrong, I am not talking about precise years here, I was getting centuries wrong, even. That detracted a bit from my narrative, as I told her to take my timelines with a grain of salt, but it was a fruitful hour for the both of us.

And this is the primary intent of this 9000-page exercise. To  sift through my decade-old knowledge and rekindle some old flames, and learn something new at the same time. Will Durant writes in the kind of semi-formal tone that is brisk and yet dense, highly readable without being the dry academic tone that turns me off. At the same time, he is not a pop historian; his stories are rarely embellished to woo ADD blurb-friendly readers. I began book 3 (‘Age of Faith: Medieval Civilization from Constantinople to Dante’) early this week and I am only on page 162. The Western Roman Empire, having embraced and absorbed Christianity in every walk of life has just declined, fallen to attacks from Visigoths, Ostrogoths, Huns and Vandals; as has the Persian Empire – after the flurry of great Sasanian warrior-emperors Shapur and Khosru (I and II, for both); the Byzantine emperor Justinian has built the Hagia Sophia with an expenditure of 134 million dollars (and this is by early 20th century exchange rates); and we are now among the Bedouin tribes of Arabia, referred to as “Easterners”, from the Arabic sharqiyun, which was corrupted by the Greeks into the word ‘Sarkenoi’, anglicised to ‘Saracens’. Durant takes his time to set up the mileu, talking about the pre-Islamic Arab’s love for poetry, for example:

Every year, at the Ukaz fair, the greatest of these contests was held; almost daily for a month the clans competed through their poets; there were no judges but the eagerly or scornfully listening multitudes; the winning poems were written down in brilliantly illuminated characters, were therefore called the Golden Songs, and were preserved like heirlooms in the treasuries of princes and kings. The Arabs called them also Muallaqat, or Suspended, because legend said that the prize poems, inscribed upon Egyptian silk in letters of gold, were hung on the walls of the Kaaba in Mecca.

I had no idea that the word Kaaba comes from the same root as “cube”, it means a square structure. Nuggets like this abound throughout, and that makes for slow going, trying to take in this continuous flow of information. It’s fun though, and so far, seems very very worthwhile.

What about my friend, then? She appeared for the GRE, did really well, and is now waiting for responses from the University applications she sent in. Our discussions about medieval history has sparked in her the interest to go visit Venice and Florence this year. I am trying to get her husband to buy me a free ticket, so I can be their tour guide and honorary baby-sitter. I don’t think he is sold on that idea.

Note: apparently Durant’s earlier work The Story of Philosophy is available for 99 cents for the Kindle. Unfortunately, the 11-volume set of Story of Civilization is priced at 99$.

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Books, Comics

The Top Ten* Superhero** Comics*** of All Time****

*       Alan Moore Homage, and a possible 11th title in this list.
**     Limited to the two mainstream companies that have copyrighted the word.
***  Which have been collected into self-contained collections referred to, but not necessarily all the time, as graphic novels.
***  Temporally located around the turn of the 20th century.

Raja Sen wanted me to list my top 10 superhero comics. I looked up a list I had done a few years ago for Men’s World magazine, and decided that nothing in it deserved to change, except for some of the accompanying text.

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Sleeper A nifty mash-up of noir intrigue and super-villainy, Sleeper is Ed Brubaker and Sean Philips’ story of a covert operative within the ranks of a criminal organization, whose dual life takes its toll on his moral judgement, his interpretation of right or wrong becoming skewed as he is manipulated as a pawn between the warring organization and the government. Crime fiction, except super powers are involved.This is one of the rare superhero graphic novels that blend costumed characters with gritty street-level realism and manages to make the combination work without dissolving into excessive grimness or parody.

The Brubaker/Philips team have worked on numerous collaborations, straight-up crime fiction or mash-ups with other genres – check out FataleCriminal and the new ongoing Fade-out.

9
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Hitman – For a writer who claims to hate superheroes, Garth Ennis sure knows how to write a classic superhero title. Hitman, featuring a happy-go-lucky assassin who obtains telepathic powers and uses them to kill supervillains is a complete revelation. This overlooked gem of a comic, within a span of sixty chapters, transformed itself from an irreverent laugh riot poking fun at mainstream icons like Batman and Green Lantern into a blood-soaked tale of friendship and sacrifice.

This series also features Dogwelder, possibly the greatest superhero ever created on any medium.

Dogwelder 1

 

8
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Ultimates – Remember the first time Samuel L Jackson made an appearance at the end of Iron Man? That scene would never have happened without The Ultimates. Hell, nearly every bit of characterization of the characters in the Marvel movies was based on this series, a modern-day reworking of the popular Marvel supergroup The Avengers. Scottish writer Mark Millar interpreted the superhero phenomenon as a military project led by the United States army, and gave rise to a number of startling variations of familiar characters – Captain America as a duty-bound soldier trapped in the idealism of the ’40s, Giant Man as a wife-beater, Thor and his thunder-god ramblings as a sign of possible insanity, and Hulk as a sex-crazed cannibal. It could have been cheap schlock, but two things – Bryan Hitch’s magnificent cinematic artwork and Millar’s liberal use of the contemporary political climate elevates Ultimates from a Michael Bay ripoff to a tome worth of the ages.

There was a sequel (pretty good!), another (really bad!) and a bunch of other sequels (oh good lord!). They had creative names such as Ultimate Comics: The Ultimates, All-New Ultimates, and Avengers vs New Ultimates. Whether you choose to read them is entirely up to you, but please don’t expect me to sympathize.

7
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Marvels/Kingdome Come The reason these two titles are tied is not because they both feature the painted art of Alex Ross. It’s because each graphic novel, one from Marvel, the other from DC, uses Ross’s art to imbue their respective universes with an amount of gravitas. While Busiek’s script for Marvels dealt with key events in the lives of the superheroes through the eyes of a photojournalist, Mark Waid wrote of an alternate future where heroism was all but dead, and it would take earth’s retired superheroes to avert the destruction of all humanity. Marvels and Kingdom Come both celebrate the iconic nature of superheroes, and you cannot help but mention both of them in the same breath.

Sometimes I get the feeling that these two series are exercises in fan-service for readers who grew up in the 60s and 70s. Other times, I marvel at the fact that long before the movie industry got their act together, Alex Ross’s art was the closest you got to seeing these characters as real people.

6
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Starman  What made James Robinson and Tony Harris’s Starman so special was the way it honored the long and checkered heritage of the character ( there had been five versions of Starman over 5 decades), and at the same time showed the evolution of a novice underdog into someone worthy of taking up the family mantle. Over the course of 81 chapters, Jack Knight – the son of the original Starman of the 1940s. A hero who refuses to wear a costume because he finds super-heroics at odds with his day job, a regular joe who finds friendship in the most unlikely places and a man who travels across the universe (and through time) for his love.

According to the contract between DC and James Robinson, the character of Jack Knight cannot be used in any subsequent stories without Robinson’s explicit permission. This is one of the rare instances when a comic company’s trademarked character is reserved for exclusive use for a writer.

5
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All Star Superman – They said Superman was boring and unhip, too noble to be taken seriously. It took Grant Morrison and Frank Quitely’s epic saga to elevate this age-old superhero to the glory he rightfully deserves. All-Star Superman embraces the silly Silver Age elements of the Superman mythos – the bumbling secret identity, the curious girlfriend, the evil nemesis –  and transforms them into a poignant, engaging saga of a god-like being who sees the potential in humanity and serves as an inspiration to everyone. This twelve-part series is possibly the Superman story ever written – and drawn.

Artist Frank Quitely’s pencilled work was directly used to print the comic, without a traditional inker. The digital coloring was done by Jamie Grant under specific instructions from Quitely, which gave the comic a distinctive glow and highlighted every bit of the artist’s detailed art.

4
dd

Daredevil: Born Again  When Frank Miller, once the regular penciller for Daredevil, was invited back to work for Marvel in 1986, he crafted an elegant story of the crimefighter’s greatest defeat, and his greatest triumph. Drawn by artist David Mazzuchhelli in a sleek, minimalist style, ‘Born Again’ is a story that borrows equally from American crime fiction and Christian theology. It pits Daredevil in a no-holds-barred struggle against the Kingpin, a crime lord and arch-nemesis who discovers his secret identity and decides to destroy his reputation and his life.

Miller and Mazzuchhelli would team up again the same year for Batman: Year One, a look at Batman’s early career. Director Christopher Nolan borrowed a number of elements from Year One for his movie, Batman Begins.

3
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Batman: The Dark Knight Returns This was Batman’s finest hour. Donning his costume after 30 years of retirement, the Dark Knight fights mutant juvenile delinquents, has a final showdown with his archnemesis the Joker, and goes up against the US government by fighting mano-a-mano with Superman. Frank Miller and Klaus Janson’s story of an aged superhero’s comeback merged the cynicism of the Reagan administration and the paranoia of the Cold War with a twisted, media-centric worldview. It is one of the definitive Batman stories, an instant classic that has just gotten better and better with time, and has influenced – for good or for bad – every single Batman story that came after it.

Miller did a sequel to Dark Knight Returns in 2001, but a lot of story elements were changed post-9/11. The series was not so well-received because of its computer-generated coloring and idiosyncratic storytelling.

2
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Miracleman What would it really be like if superpowered beings really walked the earth – the ways in which humanity might change, if society would ever be the same again. Alan Moore’s Miracleman answers these questions, and how! This sixteen-chapter storyline is a deconstruction of every superhuman cliche that has ever been worked into the page of a comic. By the end of his run, after you have had your brain seared by the concepts (including the harrowing visuals of destruction that follow an epic battle between Miracleman and his erstwhile protege), you will never look at another superhero comic the same way again.

The reason why Miracleman is not on many people’s radar is because it used to be out of print for nearly a decade, following legal issues about ownership of the character’s rights. Marvel comics are now reprinting the entire Moore and Gaiman run, bringing this classic series to a whole new generation.

1
Watchmen-1986-Original

Watchmen And then there’s this, Alan Moore and Dave Gibbons’ towering achievement – a twelve-chapter Last Word on the very idea of the superhero, a story set in an alternate 1980s where Nixon still presides over the USA, and masked vigilantes walk the streets. A work so precisely structured that even today, two decades after its publication, there is still no other work in the medium that can challenge its presence on the top of any such list. All that is to be said about this series has been covered already – and if you still haven’t read it, well, shame on you.

And then there’s Before Watchmen, a series of ruthless moneygrabbing corporate comics terrible storytelling choices absolutely brain-damaged prequels that DC published 2 years ago, which were meant to convince the publishing industry that the franchise is bigger than a work of art. Needless to say, lessons were learnt and hasty retreats were beaten. Whew.

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Books

Another Book Meme

Pal Amulya is full of book-related questions, and I can talk about books all the time. This is from a Facebook meme that involves naming 10 books that stayed with you. Shit like this is tough because number-bound lists suck yada yada and well okay, these are some books that I keep going back to. It is also a list that surprised me.

The rules are: No comics. Cool? Cool.

1. Alexandre Dumas – The Count of Monte Cristo

I have talked about this book before. Instead of adding to the yakkery, allow me to point you to a painting. It’s an illustration of the Count done by artist Mead Schaeffer in the 1920s, one magnificent painting that arrests your attention. I was lucky enough to see it in person at the Weismann Museum at Pepperdine University, Malibu last year, and it gave me the fucking chills.

2. RK Narayan – Gods, Demons and Others

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This was the cover to the version I bought

 

I was ten, and this was a book I had finished reading in a week, after buying it at the Guwahati Book Fair. A friend’s father borrowed it, and when he came home to return it, a month later, he was much surprised to know how fast I was done with the book. “Did you really read it?”, he asked. Smiling at my indignant yes, he opened the book and pointed to the first line in the introduction, which had the phrase ‘part and parcel of Indian life’. “What does “part and parcel” mean?”, he asked me. He was a little surprised at my answer, and accepted that I was not fibbing about the speed of my consumption.

But my mind was blown because, for the first time, I realized that the introduction to a book was not necessarily boring and that it should not be skipped over.

I pick this over the Mahabharata, because this was the first prose version of mythological stories I read. And it made me look for more. And also, stunning RK Laxman illustrations that made me wear out my black oil pastels trying to copy them.

(Oh, and I also found a first edition hardcover much later in life)

3. Mark Twain – Adventures of Tom Sawyer/Louisa May Alcott – Little Women

This is how we read books, once upon a deprived childhood. First, we read a chapter excerpt in an English textbook. Then we read an abridged S Chand version. Then we read other abridged versions, and finally graduated to reading the originals, the sequels and the spin-offs. I spent some time in my adolescence thinking about whether I would kiss Becky Thatcher if I was alone in the cave with her. (The answer is yes)

Little Women is perhaps my first feminist novel, even though I did not know it then. Sometimes I feel like the book is a bit too traditional, but then I reread it and – seriously, it’s so fucking progressive.

4. Stephen King – The Shining

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When you are traveling with friends on a 2-day train journey, and find yourself sitting in the upper berth unable to breathe, occasionally shivering in the middle of July, and wanting to make sure that there are people around you every now and then, you are a very very bad traveler. Or you are reading this book you picked up on a whim from this pavement seller in Delhi. You don’t know it yet, but it will determine a lot of your tastes in the next decade. You will yearn to find terror in words, and you will realize that it takes a very special writer to produce works that inspire dread, and much later, you will discover his son, who does the same.

(The book is dedicated to “Joe Hill”. Hill’s book NOS4A2 features references to multiple King characters, including a fleeting mention of the True Knot, who appear as the antagonists in Doctor Sleep, the cool-but-somewhat-tepid sequel to Shining)

5. The Mammoth Book of Vampire Stories – Edited by Stephen Jones

mammothvampires

These “Mammoth” books proliferated in bookstores around India, and introduced me to a fair amount of new writers that I hadn’t heard of before. This particular volume contained a poem by Neil Gaiman, which made me look up and understand the difference between fixed verse forms, specifically sonnets and sestinae – memory fails me, but this was perhaps the first bit of non-comics Gaiman work I ever read. It had a story by Clive Barker, which pointed me to the wonderful Books of Blood. Brian Lumley’s contribution made me look up his Necroscope books. I had just read the original Dracula, and Stoker’s excised chapter ‘Dracula’s Guest’, included in this volume, made me feel like a happy child (which I was!). And finally, the novella ‘Red Reign’ by Kim Newman, which later became the Anno Dracula series, was my first introduction to a shared fictional universe. Good times!

6. Walter Moers – the Zamonia novels (13.5 Lives of Captain Bluebear/The City of Dreaming Books/Rumo/Labyrinth/Alchemaster’s Apprentice)

I don’t talk about the books I like a lot. The cynical part of me worries that someone I recommend the books to will talk disparagingly of them, and then I will have two options: hate that person forever, or rethink my opinion of the book. Because obviously we cannot all be mature adults respecting each others’ opinions about the books we love, man. So yeah, Walter Moers. If you haven’t read these books, you are missing something. If you don’t like them, don’t tell me, because we are not meant to know each other.

Two regrets: I do not know German well enough to understand how good/bad the translations are, and I did not have an Awesome Uncle to present these books to me when I was younger. Had one existed, the world would have seen a version of me that had Optimus Yarnspinner tattoos and wrote bad Zamonia fan-fiction.

7. George Orwell – 1984

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Before this current wave of young adult literature drenched in dystopian futures and all-pervading governmental control, there was Oceania and Winston Smith and Big Brother. It is strange how this book written in the middle of the last century hit on every aspect of modern life that makes us nervous in 2014. I love going back to it, and sometimes I worry that the future is already happening.

8. David Fisher, Anthony Reed – The Proudest Day / Dominique Lapierre, Larry Collins – Freedom at Midnight / Ramachandra Guha – India After Gandhi

These were the books that made recent Indian history interesting to me. History taught in our schools comes to a miraculous end in 1947. The British rule is essentially an Us vs Them saga where They were bad and We were good. These books un-deify the valorous and make them human, and give multiple hues to people who were just names and statistics.

(Also, the section about the first elections in independent India makes me cry, every single time)

9. CD Payne – Youth in Revolt (and its sequels)

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This is a California book, and occasionally it becomes a Europe book. Every now and then, I look past the zany antics of Nick Twisp and his crew and contemplate their milieu, the small-town lives of the characters. I read about Nick’s Berkeley catastrophe while passing through Berkeley. Years later, I stayed in a motel in Ukiah while driving north, and it was only later that I realized excitedly that Sheeni grew up in that town. To me, Nick Twisp is the post-modern version of Tom Sawyer and Huckleberry Finn combined, and unlike most books whose sequels let you down, these just make you fall in love with the characters even more.

10. Jaron Lanier – Who Owns the Future?

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A book that made me question a lot of opinions that I had about the digital economy, particularly piracy and the culture of sharing. These are opinions that I thought were fairly obvious and set in stone, but Lanier’s arguments systematically decimates them and makes me feel like a fool. The book is quotable beyond belief, and has given me one of my favorite words: antinembosian, which means ‘before the cloud’. It is also the reason I would rather write this on my own blog, than on Facebook.

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Books, Weirdness

The Mind Palace

If you have seen the BBC TV series Sherlock, you must be aware of the term “mind palace”.

Gratuitous India reference y'all.

Clicky! Animated mind-palace gif!

The phrase makes its appearance in the first season, and seems to be played for both shock/awe and laughs. Every time, Sherlock boots people out from his immediate vicinity to access the “palace” and gets into a CGI-enhanced zone where he accesses, sifts through and retrieves information. By season 3, the mind palace has become a recurring concept, part of Sherlock’s self-aggrandizing charm, with Watson and every other character making references to it now and then.  As it turns out, Sherlock’s nemesis in Season 3 also has a mind palace of his own. Sounds like a very Convenient Tool from the writers’ arsenal, right?

Until I realized, after reading the first few chapters of a book called Moonwalking with Einstein, that the mind palace is an actual mnemonic device in use since Greco-Roman times, called ‘method of loci’. There is a Wikipedia page that talks about it in detail. People who practice and participate in the World Memory Championships use this technique to hone their brain to the extent where they can memorize the order of a shuffled deck of playing cards in as less time as possible (21 seconds is the world record, at the moment), or as many numbers as possible within the space of an hour, or random names in 15 minutes. How do they do it? It requires tremendous amount of focus and a meditative state of mind to construct a “real place” in your mind – I believe the programmatic analogy would be a multi-dimensional hash-map where the key iterator is about travelling through that real place and storing/retrieving values as you mentally walk through that place. Here is a great and detailed post that goes into way more detail than I can get into.

The book is written by a journalist named Joshua Foer, and details his own attempt at the World Memory Championships. Like I said, I have just started on the book and it’s super interesting so far – and I love the way it begins, with an account of (apparently) the first historical use of the method of loci.

 

There were no other survivors.

Family members arriving at the scene of the fifth-century-B.C. banquet hall catastrophe pawed at the debris for signs of their loved ones –  rings, sandals, anything that would allow them to identify their kin for proper burial.

Minutes earlier, the Greek poet Simonides of Ceos had stood to deliver an ode in celebration of Scopas, a Thessalian nobleman. As Simonides sat down, a messenger tapped him on the shoulder. Two young men on horseback were waiting outside, anxious to tell him something. He stood up again and walked out the door. At the very moment he crossed the threshold, the roof of the banquet hall collapsed in a thundering plume of marble shards and dust.

He now stood before a landscape of rubble and entombed bodies. The air, which had been filled with laughter moments before, was smoky and silent. Teams of rescuers set to work frantically digging through the collapsed building. The corpses they pulled out of the wreckage were mangled beyond recognition. No one could even say for sure who had been inside. One tragedy compounded another.

Then something remarkable happened that would change forever how people thought about their memories. Simonides sealed his senses to the chaos around him and reversed time in his mind. The piles of marble returned to pillars and the scattered frieze fragments reassembled in the air above. The stoneware scattered in the debris re-formed into bowls. The splinters of wood poking above the ruins once again became a table. Simonides caught a glimpse of each of the banquet guests at his seat, carrying on oblivious to the impending catastrophe. He saw Scopas laughing at the head of the table, a fellow poet sitting across from him sponging up the remnants of his meal with a piece of bread, a nobleman smirking. He turned to the window and saw the messengers approaching as if with some important news.

Simonides opened his eyes. He took each of the hysterical relatives by the hand and, carefully stepping over the debris, guided them, one by one, to the spots in the rubble where their loved ones had been sitting.

At that moment, according to legend, the art of memory was born.

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