Books, TV Shows

A bad thing. A good thing.

Bleh

Bleh

I tend to do things in spurts. For instance, when I read a book that I like a lot, I have to follow it up with another book. And another, and another, until the flow is broken by a Door-stopper. When that happens, the frenzy stops, and I have to start all over again – and a new interest takes over, like a new computer game, or an urge to work on FL Studio. This is why, before heading for a bus journey or a flight, it takes me some time to select a bunch of books – I either don’t get the time to read any of them, or I bulldoze through them with the enthusiasm of a cute little spaniel running after a frisbee.

Inkheart was one of those Door-stoppers that completely killed a bout of reading fever that struck me a month or so ago. I had finished a bunch of Pratchetts and Sharpes and a Tim Dorsey, decided that I should get out of the absurdist humour rut and picked up this highly-recommended book. Funke is a German writer, and this book – and its sequels – had received praise both in its home country and abroad. The English translations were by Anthea Bell – she of Asterix fame – and I had nothing but high hopes for it. Unfortunately, Inkheart happens to be one of the flattest, most one-dimensional children’s books I’ve ever had the displeasure of reading in my life. I haven’t read an Enid Blyton in years, or I could venture to say that I would probably enjoy reading a Famous Five story much, much more than I liked reading this book.

Where do I begin? Let’s start with the premise, some minor spoilers follow. Inkheart is primarily about a book-binder named Mortimer and his daughter Meggie, and their love for books is covered in the opening chapters in detail. Things turn upside down for them when someone named Dustfinger turns up at their doorstep, addresses Mo as Silvertongue, and talks about someone else named Capricorn who wants a book from Mo. A book called Inkheart. So far so good, and it turns out that Mo has the power to manifest things out of books when he reads them aloud, and nine years ago, he conjured a bunch of villainous characters out from the story of Inkheart. An unwanted side-effect was that his wife was transported into the book. So far, Mo had avoided the villains who were trying to find him and his daughter, and he had kept his secret from her, lying about her mother’s disappearance.  They run away again, and go seek the help of Elinor, Meggie’s aunt on her mother’s side, who is borderline obsessive about books.

The first thing that completely turned me off was the complete lack of personality of all the characters involved. The only thing we know about Mo, Meggie and Elinor is that they are all crazy book-lovers. Hey, you like books – that’s great, that’s just hunky-dory, but when you’re discussing books while running away from someone who is out to kill you, it’s not a healthy sign. Mo’s power is glazed over, with nothing to show that it’s special or fun or life-altering in any way. If you imagine that someone with this power, especially someone who likes books, would experiment with it, try to find its limitations, you are obviously not Cornelia Funke. Meggie is more concerned with how lucid Mo’s reading skills are, rather than being awed by the extraordinariness of it all. There’s no reasoning, or explanation behind why only certain people are brought to life by Mo’s reading. Just when you think he can only bring living characters out into the real world, in one segment, Capricorn gets him to transport gold from the pages of Treasure Island. There is a vague implication that the transfer from the written word to the real world also involves a reverse transfer to balance it all out, but no such thing happens later on, when Meggie is imprisoned by Capricorn and finds out that she has the same power.

The villains fare no better. Capricorn is an irritating generic villain who wants gold and terrorises farmers and policemen by employing incendiary persuasive tactics. His grand plan, as the story unfolds, involves getting a lot of gold out from books and to invoke an assassin called the Shadow into the real world. Yawn. He has a lieutenant named Basta, who has a way with knives and a ridiculous fear of the supernatural – the closest thing to comic relief the book has ( and this is the way I can use the word “relief” in this book’s context). Dustfinger provides the moral grey area that the book apparently needs to call itself “young adult” instead of being a good-and-evil children’s book. I will admit, he was the only character in the book that, instead of putting me to sleep, made me want to wring his neck.

Another jarring aspect of the book is its setting, which is never made clear. The story plays out in small Italian villages, with very little real-world implications of whatever’s happening. At one point, the characters talk of cellphones and travel in cars, but it is almost as if they inhabit some strange parallel world where nobody else exists, except for people who are directly connected to Inkheart. Fenoglio, the writer of the book, joins the motley crew somewhere in the middle, and finds himself drawn  into this business, and things play out exactly the way you would imagine. Go ahead, think of a possible ending to a story where there are characters created by an author, in the latter’s presence. Yep, that’s exactly what happens.

The complete lack of imagination throughout the book made my head hurt. I mean, here you have this wonderful power, and murderous people are after you – your  first reaction, I should think,  would be to read something like Jason and the Argonauts to life and let them loose on your pursuers, instead of reading Hans Christian Andersen and bringing little tin soldiers out.  Sheesh.  The movie, which came out early this year and suffers from the same lack of audience credibility that the onscreen versions of Eragon and The Golden Compass suffered at least tries to ratify some of those mistakes, but I cannot see any way in which it could have made the story more appealing. The translation is lacklustre, no one has any distinct voice to speak of, and the random quotations from different books ( from The Never-Ending Story to Watership Down) that began every chapter grew more and more irritating as the book progressed.After nights and days of trying to get this book over with ( yes, I have this bad habit of finishing everything I start), I finally managed to do it yesterday – nearly a month after I began reading it. Phew. Hello, goodbye, Ms Funke. You will not be missed.

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Saving the world at $11 an hour.

Saving the world at $11 an hour.

The awesomeness that is the second season of Chuck ruled all of last week. Epic frustration prevailed when there were multiple powercuts in the evenings – from 8 PM to 1 AM in the morning, so we had to change schedules to wake up a little early, take some time out to watch an episode and then head to the office. And on Saturday, we finished the season finale. What. A. Trip.

I realize that Chuck is probably nowhere close to the cerebral fan-space that a series like Battlestar Galactica, Lost or The Wire generally occupies. But what gets me every single episode in the show is the element of fun that permeates every single minute. Crackling humour. Funky soundtrack choices, including a great paean to Rush’s ‘Tom Sawyer’ ever, possibly the most kick-ass onscreen utilisation of the Prodigy’s ‘Smack My Bitch Up’. The kind of sizzling on-screen chemistry between Agent Walker ( Yvonne Strahovski) and Chuck Bartowski ( Zachary Levi) that frustrates and wows you at the same time. A hilarious, well-developed supporting cast. Stolid-faced John Casey (Adam Baldwin, last seen in Firefly) whose quips, like his efficiency, just get better as the season progresses. The parallels between Chuck’s moonlighting and Morgan’s shennanigans at the Buy More. The unprecedented battalion of guest-stars as the show progressed – Chevy Chase, Scott Bakula, Nicole Ritchie, Arnold Vosloo. The development of the “mythology”, which is the core ingredient of any show that wants to elevate itself from a generic sitcom to something really epic.

By the time the last episode came along, the ride looks like it has all but stopped. Because unlike other shows which sticks to the status quo, and makes you wonder about how they’re going to shake things up, Chuck was building up the kind of golden finish that leaves every plot thread tied up, every conflict reaching its logical conclusion – the happy ending that is denied to every character in sequential fiction. “How is it humanly possible”, I thought, “to continue this story further?” I was actually worrying about how the writers would maintain the status quo – by the time I was watching this, news of a third season had percolated into my internet-attuned senses. How? How? HOW?

And of course, the last 20 minutes of the season finale. From a tribute to ‘Domo Arigato Mr Roboto’ ( they could start a spin-off series called Jeffster and I would watch it, no questions asked) to an epic sequence that pays tribute to The Matrix, the three words – “to be continued” have never left me so frustrated with the normal 24-hours-a-day, 365-days-a-year rule that we earthlings follow. Why cannot March 2010 be tomorrow, goddamnit? So now, while I wait for Chuck season3, I listen to the Cake song ‘Short skirt, Long Jacket’ ( which is the title theme to the series), download pictures of Yvonne Strahovski for my wallpaper, and read up on interviews with creators Josh Schwartz, Chris Fedak and various cast members. I have also started watching Leverage – the first two episodes of which kick major ass, and so far it appears to be a caper series that does not piss all over its audience with its smartness ( *cough* Ocean’s Twelve *cough*). Also in the queue, Jake 2.0, Extras seasons 1 & 2 ( done with half of season 1) and The Big Bang Theory season 2.

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Comics

Aren’t you glad I don’t twitter so much?

The more I read comics, the more I realize that Batman and Superman cannot possibly exist in the same universe.

It will take me ten minutes to tell you who Robin is, right now.

It will take me five minutes to explain whether Batman is dead or not.

After reading Whatever Happened to the Caped Crusader, I think Neil Gaiman should stop writing superhero comics. He should have after 1602.

I absolutely HATE how, in DC, every superhero fawns every other superhero. Superman is so awesome?? Wow, we didn’t know, Flash.

And nobody in the JLA uses superhero names anymore – it’s all Connor or Bruce or Diana or Clark.

I think it was Brad Meltzer who began both these trends with Identity Crisis, and now everybody seems to be doing it.

I want to read all the low-key superhero comics released in the last 5 years. Blue Beetle, Manhunter, Ant-Man, The Order. That shit is all good.

Captain Marvel and MI-13 is getting cancelled with issue 15? Just when I was thinking this would be one of my regular monthly fixes.

Now that 100 Bullets is over, I am waiting for the opportune moment to read the complete series. In one sitting. The last time I did that was with issues 1-50.

I also need some time off to read Yoshihiro Tatsumi’s A Drifting Life, an 850+ page autobiographical manga that goes into detail about the beginnings of the manga industry in Japan.

Am still looking for the first two of the three Tatsumi collections that Drawn and Quarterly brought out – I regret not buying them in Blossom when I saw them, way back in 2005 and 2007.

I recently did a Top Ten Superhero Graphic Novels list for a magazine. I am still feeling guilty about the ones I left out.

Did I tell you about the time I found a better-than-decent issue of Batman 181, the first appearance of Poison Ivy, for 10 Rs at the Sunday book market?

Hayao Miyazaki has returned to drawing manga after a long time, with a biography of an aircraft designer released in early 2009.

What is it with Miyazaki and flying?

Comicbook culture would have reached its peak the moment all of Tezuka’s works and all the Koike/Kojima collaborations are translated and in print.

Another manga-ka whose works are begging to be translated – Sanpei Shirato. The dynamic storytelling in Kamui, the only one of his works translated so far, still manages to leave me breathless.

Blade of the Immortal is in its final arc in Japan, a couple of more years and Dark Horse will come up with the last volume. Fist-pump!

Now if only Kentaro Miura would get off his ass and finish Berserk.

Alan Moore’s Miracleman scars you for life. Don’t read Miracleman if you want to keep enjoying superheroes.

The densest work Miller has ever written is The Dark Knight Returns. Elektra: Assassin is a close second. The 8th issue has got to be one of the greatest endings ever.

Like everyone else, I also hated Miller’s Spirit. The nadir was the part where the female cop says ‘Elektra complex’ some eighteen times in a row.

And this whole cliche of naming minor characters and landmarks in superhero movies with names from the comicbook industry makes me spew.

Yes, all that was fan-service.

Neal Adams, Norm Breyfogle and Kelley Jones are the three greatest regular artists to draw the Batman.

Brian Bolland never did a monthly stint on Batman, so there. Mazzuchchelli did only four issues, and Don Newton died too early.

JH Williams 3, Frank Quitely, and Darwyn Cooke are three names that will make me buy a comic without stopping to check what lies within.

Chuck’s bedroom ( in…uh…Chuck) has a poster of Y The Last Man.

Juno’s bedroom ( in…well…Juno) has a poster by Tara McPherson, she who did the Snow-Rose-Totenkinder story in Fables: 1001 Nights of Snowfall.

I own a first printing of Will Eisner’s Contract With God. Should I still buy the new reissue of the Dropsie Avenue trilogy?

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Myself

Collecting origins

Once upon a time, I was a coin collector.

It started with a small cloth bag that belonged to my mother. It was fascinating to me as a child because it was covered with brownish stains – sealing wax, but we thought they were the wrong kind of brownish stains – and that’s how she would discourage us kids from handling it during those occasions when she took the bag out. There was a tiger claw inside, and a bit of a rhinoceros horn, some odd-looking heirlooms and, as I found out one day, coins. Old coins, of different sizes, shapes and colours – and one even with a hole in it. There was a small one paisa coin that boggled my mind – “When I was in school, we would get two chocolates for a paisa”, she explained.  There was a yellow 20-paise coin from 1948, the year MK Gandhi died, with a lotus on one side and his face on the other. Brass, not gold – she said, before I could ask. The oldest coins were from the forties – the hole-in-the-centre was one pice, from 1944, when they were trying to save metal because of the War. There were interesting inscriptions all throughout, and inscribed heads of various Georges and Edwards.

Ma saw my curiosity and, I really don’t know why, told me to keep them. “Start a collection”, she said, probably thinking I would lose interest and misplace them soon enough. I was eleven years old.

What happened was quite the opposite. I was enthused enough to look up coin collecting in the Britannica set at the local library, and found out that numismatics had a long and detailed description. When I look back, the fascination was probably because of repeated readings of Treasure Island – old coins tinkling in your hand is the closest a boy can get to becoming Jim Hawkins. My collection, therefore, was in equal measure a role-play and a serious pursuit. Over the weeks, I grew more and more fascinated with coins. My small collection expanded via contributions from my relatives and neighbours – strangely enough, everybody had a coin or two stored away, either old or from another country, a relic of the past or a souvenir from a family trip, that they would willingly give away, seeing my eyes light up when I held them. One of the good parts of staying in the North East was being surrounded by so many nearby countries – very soon, I owned coins from Bhutan ( which were very, very easily available), some from Nepal, Tibet, Bangladesh and Myanmar ( Burma then) and even a few from China, which was a little tougher to get. My father made a few trips to Delhi every year, and he would buy a few every time – I got a few Pakistani coins, a few Russian roubles and more examples from the British era. My collection was an equal focus of foreign coins – the plan was obviously to own a coin from every country – and old Indian coins.

Initially my coins, all ten or fifteen of them, would fit into a small container my mother gave me. But very soon the number increased to a quantity where I had to hijack my geometry box – which we had to take to school only once a week, on Friday – and used it to store my collection. And one day, I decided to carry the coin-filled geometry box to school, after which things got very interesting. Mild digression – our school had a mixture of Assamese, Bengali and Marwari students. One of the good things that came out of this was that we spoke in English to each other, because the Assamese students were wary of their poor Hindi – even though we could watch Hindi films and TV serials, there was a major complex about actually speaking in the language, probably because our accents were bad enough to evoke laughter among the Hindi speakers. The same thing held good for the Marwari kids – their attempts at broken Axomiya made us giggle. The Bengali kids somehow managed to speak in three languages, but out of an unspoken contract, we would speak in English most of them time, to avoid possible violence and “miss-he-laughed-at-me”-type complaints.

Coming back to the topic at hand – the first day I took my coins to school, I discovered two things – one, there were a lot of my classmates who had coins at home – “my father has been to Somalia, I think there are some coins lying around”, or “My grandfather gave me a few old coins, you can have them if you want”. So in a very short time, a lot of those stray pieces made their way inside my geometry box. The second thing was that some of them, mostly the Marwari students, already had coin collections of their own, and over the weeks that followed, they let out that they were interested in trading. Or “exchanging”, as we called it.

The weird thing – well, weird at that time, but natural now that I look back at it – was that within a few weeks, the number of coin collectors in the school increased radically. I am not taking credit for that, mind you, probably there was already a network in place and I was made part of it the day I brought my coin-box to school. But the strange thing was that classmates who were becoming my ‘sources’, who had brought me coins from their elder brothers or parents or relatives, either stopped or in some extreme cases asked me to return the coins they had given me – because they were starting collections of their own. Dang and blast! Coin collecting became a school fad, much like quizzing after Siddharth Basu’s India Quiz or exotic weapons after Amitabh Bachchan in Toofan ( to which I contributed as well).

And with open season came Fucked-uppery of the highest order. “I have some coins for exchanging”, someone would say, looking disinterestedly at my collection. “Do you want?” “I will see”, I would reply and proceed to feign disdain at the ones he was offering. This was probably my first exposure to the cut-throat world of collector politics, and I can’t even begin to imagine how much this prepared me for my future life. Things got more complicated. Exchanges would have to be conducted in secrecy, because rival collectors were always waiting to offer bigger and better deals to the unsuspecting newbie who has been convinced that a 1970 US dime is very rare, much rarer than the Italian coin his father gave him. Exchange deals were also marred by the crowd-swipe, which goes like this – some guy comes with bunch of friends and says he wants to see your collection. Everybody surrounds you, and as you show the coins one by one, somebody palms something. It needed eagle eyes and steel nerves to maintain one’s collecting enthusiasm in the face of such strong competition. On top of it, most of the well-to-do children were taking to buying coins – apparently, in a corner in Fancy Bazaar, the commercial centre of Guwahati, there was a shop called Bargola, whose owner sold coins at high prices, and quite a few of my fellow collectors sourced stuff from there. I was in no position to put any money into my hobby; finances were tightly controlled by my parents until quite a few years later and they would probably just take away collecting privileges if I insisted on pumping their hard-earned money into it. I had to figure out creative ideas to expand my collection.

My inspiration, at that time, was Tom Sawyer. Taking a cue from the book, and Tom’s entrepreneurial abilities, I had a bright idea. On a rainy weekend, I took about 10 Bhutanese copper coins, a hammer and a metal block. At a safe distance away from my usually-sensitive-to-sonic-bedlam parents, I proceeded to pound the coins until they became uniformly flat, with a few grooves remaining here and there. I then kept them buried for a few days, which took the sheen off. In school, a grand story was woven. “We had water in the house because of the rain, the other day”, I said. “And when the water was gone, I found a pot full of old coins just near the verandah. It was probably buried at the back and the water uncovered it.” School-children are a gullible lot ( heck, I was gullible enough to believe a lot of weird things – remind me to tell you about them someday) and by the time I repeated the story to a couple of people, the buzz was strongly positive. On top of this brazen yarn-spinning, I also kept my escape options ready. The collectors in the senior class, and the more retribution-prone among my classmates were told that my parents had strictly prohibited me from displaying or exchanging any of those artifacts. Some of the easily convinced classmates were promised that they would get preference for the eventual trade, if and when that happened. When I finally got two of the mutilated ex-Bhutanese coins, demand was sky-high. I remember getting an 1837 East India company coin, with “Victoria Regina” inscribed on it ( the later coins I had, from 1891, had something else inscribed on it, I forget the exact words) in exchange for one of them. The classmate I got it from asked me once, after many many years, the real story behind the treasure trove, and I finally confessed to the con. He shook his head sadly. I think he hates me now.

There are seven shades of love, the Sufis say – and my love for coin collecting crossed the first four – Hub (attraction), Uns (infatuation), Ishq (love), and Adiqat (reverence) – with a small hop and a skip, deftly sidestepped the fifth – Ibadat (worship) – and landed squarely into Junoon (obesession). Unknown ( or probably not) to those who knew me, I became possessed of a Gollum-like lust for my preciouses. The geometry box, once brought surreptiously on random days, to avoid confiscation was now always in my school bag. The teachers were aware of the rampant trading going on during school hours, and though they did not discourage the hobby, they kept any non-educational contraband in the school cupboard until you went and grovelled and apologized and shed a tear or two – but I brazenly brought the box everyday. Everyone knew about it. Geometry boxes have loose hinges, and occasionally a coin or two would slip through them and land in my bag. When I would search for particular high-point of my collection and discover it was not there, my heart would leap to my mouth, and I would frantically search the bag and heave a sigh of relief when I would find it, stuck between the pages of a notebook. I cannot give you any logical reason behind why I did all this – maybe it was the carelessness of boyhood, the ingrained belief that nothing bad will really happen to you until it actually happens.

The seventh stage – Maut (death) – was bound to come, and it did soon enough. One day the school bell rang, and all of ran for the school bus – a hasty boarding entitled you to better seats. School would be over at 3:00 PM, and the bus would start at 3:10. At 3:09, I remembered, with a sinking feeling in my heart, that I had taken my coin collection out of my bag and had kept it inside the desk, because the teacher in the last class had the tendency to randomly check bags. I stayed a very long distance away from school, no direct city buses – and my sister had seen me in the bus, so I could not even claim there was some after-school activity involved. I took a deep breath and made the worst possible decision of my life. “I am sure the box will still be there tomorrow”, I told myself. “Who on earth could possibly take it?”

The next morning, as you must have guessed already, the box was not there.

I cried a little, picked fights with a couple of collectors who others claimed had some of my coins mysteriously appear in their trades. Nothing much came out of it. It could have been anyone who took the box of coins and I had no proof anyway. The teachers clucked and made sympathetic noises and came up with the obvious question – “why did you have to bring it to school?” I had two choices – to start all over again, or to give up and pretend it did not really matter. I chose the latter, obviously.

There is a semi-happy ending to this, though. Two semi-happy endings, actually. My father and I went to Nepal in 1996, just after my board exams were over. He has an elder sister there, whose husband was ( he’s not alive anymore) a renowned editorial cartoonist and had great taste in literature – I did not meet him for too long, but I enjoyed every minute that we spent together. Anyway, so I was walking around Kathmandu with the pater, when we saw an old man with a bunch of coins on the pavement, and stopped to look at what he had. Strangely, the man was selling a lot of newer Indian coins – my father picked up a five-rupee coin, issued in 1984 with Indira Gandhi’s face on it, and asked him how much he was selling it for. “200 Rs”, he said. Both of us were amazed – we used to come across those coins very frequently, and well, they generally were used for their face value. There were other commemorative Indian coins there – the highest was a 100 Rs coin which had some insane price tag, but most of the rest were all fairly common coins, some we hadn’t seen in use at all. We looked around a bit, and realized that the high prices were fairly standard there – and quite a few of them got sold too. My father, after we came back to Guwahati, started a coin collection of his own, focusing on Indian commemorative coins post-1947. He continues to this day, and I remember to keep newly-issued coins aside for him when I come across any.

The other semi-happy ending is that because I had to fill the void left behind by my missing coins, I began to collect comics, which I had treated as very disposable reading material so far. And this time I was careful – no publicity, not much fuss, no evident enthusiasm when some classmate brought bound volumes of Dell comics of the 60s. That collection, obviously, continues to this day. Ain’t life grand?

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