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Bah!

Virgin comics is apparently bringing out a comic book called Sachin The Master Blaster, featuring Sachin Tendulkar as the titular character. The cricketer is apparently under contract for the comic.

In case nobody remembers, there used to be a Sunil Gavaskar comic brought out by Indrajal comics sometime in the eighties, just before the company went belly-up.

And in other news, Guy Ritchie is the latest filmmaker to be part of Virgin comics, he’s involved with a project called Gamekeeper.

As it turns out, copies of The Sadhu. Snakewoman and Devi are finally available in India, at 35 Rs each. As are new copies of Gotham comics reprints of Astonishing X-Men ( they have started a new story-arc), Batman and Amazing Spiderman. Print quality is terrible, paper quality worse than it was the last time, the colours look like they have been xeroxed off xeroxes. I pass!

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There was a time when South Indian food was a novelty in my life. The first time I heard the word “dosa” would be in my Class III Social Studies book, in the chapter on Tamil Nadu. “Idli and Dosa are the staple food items of the state.”, I was told, and probably wondered about these strange people who did not eat rice for lunch and dinner.

Street-vendors on bicyles would pass by the Rehabari neighbourhood once in a while, selling hot idlis, but Ma never bought them – and did not let us, me and my sister, I mean, eat them even when our neighbours bought them. It seems she knew someone who once found a beedi inside a pack of idlis. ( Trust me, my mother was a fountain of urban legends at the time. She even knew someone whose uncle started barking like a dog and snarling at family members after being bitten by a dog.)

The first time I actually had a dosa was when Woodlands opened. It was the first South Indian restaurant in Guwahati, a posh place where, as my friends told me, if you went in and sat for a couple of minutes and left without ordering anything, you would still have to pay five rupees – you would be charged for the air-conditioning. It was in a building that was right on top of my uncle’s department store, my favourite hang-out after school.

Going to Woodlands would be an essential day of the month for my sister and me – it would be an exciting family affair, for that matter. My father would tell us about a day before that we would be going out to Woodlands soon. Homework would be completed in record time, and the house would be remarkably free of sibling squabbles for the next twenty four hours. Occasionally our cousins would also come along, making it a Family family affair, and we would take a couple of rickshaws ( not autos, remember. Autos in Guwahati are run by the Devil’s apprentices.) all the way to Ulubari Sari-ali, where Woodlands was. All us kids would run up the stairs while our parents would drop in and say a quick hello to my uncle downstairs. It would take two of us to push the door open and the waiter would take us to the table that would be reserved – it was a popular place, and while the eat-out culture had not really reached epidemic proportions of the nineties and the double-ohs, Woodlands was one of the few affordable family restaurants of the day, and would usually be full.

While others might take time to decide what they would have, I was one of the few who did not have to look at the menu. At all. It was the Plain Dosa I wanted, because it came shaped like a cone, a tiny hill surrounded by bowls of sambar and chutney. It cost 10 rupees, and was fun not only to eat, but also to be admired, like some strange spaceship doomed to be eaten by a ravenous nine-year old. Besides, it was just perfect for me, being neither too big for me to polish off, nor so small that I was left hankering for more at the end.

But, oh heavenly delight, the most interesting of them all was the sambar and the chutney that came with it. My mother later told me she used to be really happy when I gobbled all of the sambar – that was the only time I did not complain about green vegetables with my food. But gobbled-up is the wrong word, really. The sambar would be piping hot, and with quite a bit of vegetable pieces floating around in it, beans and tomatoes that somehow tasted different when mixed with this strange, slightly-sour brew. And how does one partake of this hot sambar? Easy, you take a spoonful of it, dip it in the cold chutney and then sip it. What a combination that would be, that hot-cold spoonful of sambar-chutney! And alternately, you could take some chutney, dip it in the sambar and repeat. By the time the dosa ended, there would be two near-empty bowls of a sambar-chutney mash-up which I would proceed to finish. And sometimes ask for extras.

I think the realization of growing-up came to me when I found out that I could finish a plain dosa at Woodlands and was still hungry. And I graduated to masala dosas. Yay!

The most masala dosas I had in a given point was in Bombay. While my father and sister were going nuts trying to find a place that sells decent rice-dal-curry, Ma and I were tripping on masala dosas. They tasted different, of course. Masala dosa tastes different everywhere in India, so does the sambar and the chutney.

In my higher secondary years, I discovered this place called Feeds, that sold excellent masala dosas. All of a sudden, my lunch money, which used to be saved for comics was diverted to masala dosas. The guys who introduced me to Feeds got sick of dosas soon, not me! Sadly enough, that place closed down just before our Final examinations. There is an internet centre there now.

I nearly lost my taste for dosas when I was in college. The mess food was terrible ( isn’t it always? ) and we would launch collective groans whenever it was dosa for breakfast. They used to be burnt, and instead of sambar and chutney, they would give us some potato curry. Going to college cultural fests used to be a relief, because those messes, in particular the IIT Madras hostels, would serve some excellent masala dosas. The most humongous dosa I have had would be the 70 mm dosa at Hotel Ashoka in Warangal, truly a never-ending, monstrous appetite-killer. Probably that was the only dosa that I have had to struggle to finish.

There’s a place called 99 Dosas in Sowmajiguda, quite nearby. They offer 99 (duh!) varieties of dosas. Lots of weird combinations ( pineapple and cheese, paneer mushroom, broccoli ), but good fun. I used to love the chicken and mutton dosas at Empire, which was just a hundred metres away from my Bangalore office. And there is Chutney’s, which used to be a favourite haunt for me and psasidhar when he was here. Strangely enough, I don’t enjoy the steamed dosa as much as I love the masala dosa there.

The worst dosa I’ve had would be one I had enroute to Chandigarh recentluy. The bus from Delhi stopped at an eat-stop, it was raining and the place had a choice of a buffet or a dosa. I decided I would be adventurous for once – and of course, I was curious to taste the Punjabi variation. Five minutes later, the words “curiousity” and “cat” were juggling around in my head, even as I gulped down three packs of Appy to rid my mouth of the taste.

Why am I talking about dosas? I just realised I hadn’t eaten one in a very long time. In fact, I cannot remember the last time I had one! Unthinkable!!

That’s going to be remedied in a couple of hours, though.

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Newstuff

Andy Runton’s Owly gets a cuteness rating of two thousand out of ten. Check out the scans for yourself and tell me I am right! So does David Petersen’s Mouse Guard, which I managed to check out recently thanks to my friends in Kanpur.

The weekly series 52 is drawing to a close pretty soon, and I must say that, taking into consideration my general apathy towards Marvel/DC’s corporate superhero storytelling, I would be willing to shell out money for a collected hardcover of 52. An Absolute edition wouldn’t hurt, either. After all, the writers involved included Grant Morrison, Greg Rucka and Mark Waid ( Geoff Johns is more of a fanboy than a writer, in my humble opinion.)

Volume 4 of League of Extraordinary Gentlemen is titled Century. It’s going to be published by Top Shelf Publishing, because Moore has broken off all ties with DC/Wildstorm following the release of V For Vendetta. In case you are confused about Volume 3 of League, it was published last year by DC/Wildstorm and was called The Black Dossier, I am waiting for the Absolute Edition to release before I buy it. From the Top Shelf website, Century is a 216-page epic spanning almost a hundred years. Divided into three 72-page chapters — each a self-contained narrative to avoid frustrating cliff-hanger delays between episodes –this monumental tale takes place in three distinct eras, building to an apocalyptic conclusion occurring in our own current twenty-first century. Chapter one is set against a backdrop of London, 1910, twelve years after the failed Martian invasion and nine years since England put a man upon the moon. With Halley’s Comet passing overhead, the nation prepares for the coronation of King George V, and far away on his South Atlantic Island, the science-pirate Captain Nemo is dying. Inthe bowels of the British Museum, Carnacki the ghost-finder is plaguedby visions of a shadowy occult order who are attempting to create something called a Moonchild, while on London’s dockside the most notorious serial murderer of the previous century has returned to carry on his grisly trade. Working for Mycroft Holmes’ British Intelligence alongside a rejuvenated Allan Quartermain, the reformed thief Anthony Raffles and the eternal warrior Orlando, Miss Murray is drawn into a brutal opera acted out upon the waterfront by players that include the furiously angry Pirate Jenny and the charismatic butcher known as Mac the Knife.

Craig Thompson’s next release called Kissypoo Garden is also solicited for sometime in 2008. This is a 200-300 page collection of his shorter works over the years. And what is this my eyes spy? A 500-copy limited release of a hardcover of the collected American Elf by James Kochalka! 520 pages. My cup runneth over!!!

Apparently, Warren Ellis’s latest offering, Black Summer arose out of a bet between himself and William Christiansen, the head of Avatar Press. The challenge was to come up with a superhero concept that wasn’t a rehashing of old ideas and yet managed to reach Event-level high notes, kind of a multipart crossover that threatens to change all reality. In Ellis’s own words – “Huge technical challenge, and I like those, because they keep me sharp. It took me more than a year, mind you… Until I hit on the two ideas. What if a superhero killed the President? And the underpinning: where do you draw the line?” The artwork is by Juan Jose Ryp, and looks like a combination of Geoff Darrow and Jacen Burrows influences, as far as I can see from the preview images.

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Frank Miller’s 300 – Of course, with the movie release and all, it’s quite expected that the original comics would go up in price. Issues 1-5, the first prints that is, are selling for about 120$, last I checked. A CGC 9.9 copy of issue 1 sold for 287$. ( CGC or the Comics Guarantee Corporation is a third-party grading service that grades the condition of a comicbook based on certain parameters and then slabs it in a plastic bag. A CGC rating of 9.8 is really, really high, and 9.9 is the best ever. I think the number of comics that have been graded 10 would be less than the number of fingers on your left hand.)

The 300 hardcover is currently the fifth overall bestseller on Amazon, but is surprisingly in short stock all over America. Seems this has been a consistent problem following Dark Horse movie releases – there was a shortage of Hellboy and Sin City when the respective movies came out.

Your mindboggling art link of the day: Frank Frazetta concept painting for an animated Dracula film in 1975, on sale for 69,500$ by Lewis Wayne Art Gallery. The detail of the image is right here. Remember to exhale.

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I bought Daywatch off Walden recently. No discount, but I got a 500 Rs gift voucher from my other flat-mate, which brought down the price down quite a bit. Just got started, looks like the principal protagonists are different in this one. Which reminds me I haven’t watched Night Watch yet, inspite of buying the 2-disc edition. Bah!

And I’m playing Ultimate Spider-man: The Game and my thumbs are sore from all the button-pushing. Double bah! Though I did manage to clear the first race against Johnny Storm after about thirty-five attempts ( after which I figured out a move which allows me…er…Spider-man to web-jump onto rooftops.)

Opened up my crate of old Gotham comics. Rereading some of the super-specials, pleasantly surprised to find that one of the back-up stories on Hulk: The End is this Ennis-McCrea two-parter called Hulk Smash!. Not much of a Hulk story, this one, more of an Ennis war yarn and midway through it, I remembered reading it from before. Enhanced pleasure due to the fact that I am buying a key splash page in that issue very soon. Hyuk hyuk.

Saw four movies over the weekend – Woh Lamhe, one of Mahesh Bhatt’s autobiographical versions of his history with Parveen Babi and her schizophrenia. The lead in the title is a director named Aditya Garewal, who has graced the cover of Time Magazine and, in an introductory scene, heckles the lead actress to the point where she takes off her panties in public and throws it at him. Mahesh Bhatt needs serious help, I know. But the movie is not that bad, either, Kangana Ranaut and Shiney Ahuja are fairly non-cringey in their respective roles. Shiney Ahuja probably is following a career path involving roles in which girlfriends commit suicide. ( Zindaggi Rocks, baliye)

Bas Ek Pal is semi-lifted from Almodovar’s Live Flesh, minus the deviant bonking in the latter. The film plays quite well, drags a lot, and ultimately proves that Urmila Matondkar should avoid roles that involve a lot of crying. This will probably go down in Indian cinematic history as a film with completely unlikeable characters.

Sunday, I watched two Telugu movies. One was Nuvvostanante Nenoddantana ( ‘If You Call Me, I Will Come‘) directed by Prabhu Deva and starring Trisha and Siddharth, and had a jolly good time. The film is like a distillation of every feel-good Indian film you ever saw, and yet manages to avoid being a cliche. I wants my weekly dose of melodrama, sweetums!

The other Telugu movie was one called Anand, which had received rave reviews from quite a lot of friends. The film starts off well, and dissolved into a completely amateur mish-mash of ideas. The editting is terrible, and while the film has its heart in the right place, Sekhar Kammulla really needs to work on his storytelling. BWAH HAH HAH, I didn’t say that last line – I can’t believe I am getting into this serious-review-mode. Phooey!

But I need to watch Nijam. My Mahesh Babu Filmography is going really well – I finished Athadu, Okkadu and Pokiri this year – I bought this one recently and need to see it fast enough.

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A short checklist for the self

Del Rey is one of the few companies bringing out translated manga titles regularly, and maybe because it’s a part of Random House publishing, distributors in India have been getting fairly steady supplies of the titles they publish. I have been following primarily two titles – Negima and Genshiken. Both of them span different genres – Negima is a riff on the apprentice-magician-in-training archetype, in which the lead character is a 10 year old prodigy who is the English teacher for a bunch of high school girls, and also bunks with one of them. Twelve volumes have been released so far in the US, with the continuing storyline going on until volume 18 in Japan. Genshiken, on the other hand, is about a college otaku club and its members, all of whom are hardcore manga/anime/cosplay freaks – it ends at volume 9, and just one volume is left to release in the US.

Which brings me to this – the Del Rey catalogue has sufficiently expanded over the last two years, and quite a few new series have come out. I was looking through the list of titles they are publishing as of now, and a couple of them sound interesting and worth a buy.

Basilisk is a series that has a long history. It was based on a 1958 book by Futaro Yamada called The Kouga Ninja Scrolls, and published in Japan in 2003-04, winning quite a few awards because of its storytelling. I checked out the first two volumes, and the artwork is extremely cool. I also happened to check out the movie called Shinobi: Heart Under Blade recently, which is based on the same novel. The storyline is mostly faff, about two warring Ninja clans whose representatives must fight it out so that the winning clan gets to represent the new Shogun. Pretty straightforward except the heirs of the clans – Gennosuke and Oboro are secretly in love with each other. I am looking forward to buy all 5 volumes of the series, the last of which will be out by May 2007. Note to self: there is also a 24-episode TV series, well-worth checking out, according to the grapevine.

ES or Eternal Sabbath is by Fuyumi Soryo, whose manga Mars I read a few volumes of. This one’s about a genetically engineered immortal who has the power to control minds. Eight volumes in all, and four volumes out already.

Kagetora: The young ninja Kagetora has been given a great honor—to serve arenowned family of skilled martial artists. But on arrival, he’s handeda challenging assignment: teach the heir to the dynasty, the charmingbut clumsy Yuki, the deft moves of self-defense and combat. And yet, Yuki’s inability to master themartial arts is not what makes this job so difficult for Kagetora. No,it’s Yuki herself. Someday she will inherit her family dojo, and for aninja like Kagetora, to fall in love with his master is a betrayal ofhis duty, the ultimate dishonor, and strictly forbidden. Can Kagetorahelp Yuki overcome her ungainly nature . . . or will he be overcome byhis growing feelings?

Kurogane – Avenging his father’s murder is a matter of honor for the young samuraiJintetsu. But it turns out that the killer is a corrupt governmentofficial-and now the powers that be are determined to hunt Jintetsudown like an animal. There’s only one problem: Jintetsu is already dead. Torn to pieces by a pack of dogs, Jintetsu’s ravaged body has beenfound by Genkichi, outcast and master inventor. Genkichi gives the deadboy a new, indestructible steel body and a talking sword-just what he’ll need to face down the gang that’s terrorizing his hometown andthe mobster who ordered his father’s hit. But what about Otsuki, thebeautiful girl he left behind? Steel armor is defense against any sword, but it can’t save Jintetsu from the pain in his heart.

Yups, these are the ones I think I will be buying. The rest of them look like teen-friendly love stories and cute-fantasy types, not really my thing.

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