Music

Music-Mania May 2019 Edition

Olivia Wilde’s directorial debut Booksmart has a soundtrack to be proud of. Music hand-picked by Olivia and Dan The Automator, featuring the likes of Alanis Morrissette, Sofi Tukker, LCD Soundsystem, and Perfume Genius. But the one track that blew my mind was a song by Fata Boom, called ‘Double Rum Cola’. You see, it features a sample from a very, very familiar song from this 90s Indian boy’s childhood.

The song plays in an insane slow-mo last-day-of-high-school sequence, which is perfect.

You gotta go watch Booksmart. It’s phenomenal, and not just because of the music.


I heard a song while having dinner in an Indian restaurant in Toronto. It’s surprising I paid attention to it because I was in wonderful company and the conversation was sublime. But the melody felt…familiar. It’s an infuriating feeling to not recognize a song immediately, and I knew that later, it would come back to haunt me. So I switched on Soundhound, and the track that showed up was something I had never heard before. It was called ‘I Wanna Know’, by NOTD, featuring Bea Miller on vocals. Decent 6-out-of-10 summer dance track, but I could not understand why it felt so familiar.

It was only later, after I had hummed the main verse a few times, that I realized I had heard it after all. Well, not the original, but the version that appears on Ark Patrol’s ‘Entropy’.

I came across the music of Ark Patrol by pure happenstance earlier this year, when he released his first full-length album. It’s one of the best downtempo/chill LPs I have heard in 2019, and has been on repeat for the better part of the last quarter. The way he samples Bea Miller’s vocals for ‘Entropy’ is magical; the voice lowers an octave, the refrain becomes a plaintive wail, the beats and drone slither hypnotically. Electronic music at its finest.


The sheer joy of Michel Gondry’s video for the Chemical Brothers song ‘Gotta Keep On’ keeps on making me high. (hyuk!) But Gondry being Gondry, I love the turn the visuals take towards the middle. Just the subtle tweaking of reality that modern-day CGI brings to the director’s toolbox. MG, most known for directing Eternal Sunshine of the Spotless Mind, was the director of choice for some of Bjork’s greatest songs.

Bonus: Michel Gondry’s video for Metronomy’s ‘Love Letters’ (2014)

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