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Weird things

I bought my first original comicbook art just before the year ended – on 25th December, to be precise. Two pages from Swamp Thing, artwork by Phil Hester. From issues 148 and 162, you can still check out the pages, if you are interested, here and here. It took me quite sometime to actually pay the guy – I had totally forgotten to check whether he accepted Paypal or not. He didn’t, only cheques and money orders were acceptable, and 2fargon stepped in with a little timely help. The downside was that, instead of shipping them to me, the seller shipped them to 2fargon instead, and so it will be some time before I get to touch them. But that’s ok. I paid 73$ for both the pages, including shipping. Which, in my humble opinion, is a bargain.

I also bought myself a nice new computer table cum bookshelf, at home, and the bookshelf is now occupied by CD-cases. My books still remain packed in cartons, giving me a claustrophobic feeling everytime I enter my room. I need to do something about that, in all likelihood I’ll end up buying a steel wardrobe, to keep some of the books in.

If you are a fan of historical fiction, or Indian fiction, or good fiction, for that matter, you ought to check out Cuckold by Kiran Nagarkar. It’s been quite sometime since an Indian writer made for a white-heat read, without any of the fussy Indian-linguistic-term-dropping that comes with writing about the past and Indian characters of the past. ( yes, AKB, I am talking about you. ) Nagarkar’s Maharaj Kumar is a character that’s going to stay with me for quite sometime, I suspect.

Also found Larry Gonick’s Cartoon Guide To Sex at Bookworm a couple of weeks ago, which I promptly finished on the bus back to Hyderabad. Excellent balance of humour and information.

My trip to Guwahati revolved around two things ( other than the quiz, that is). Portishead and Wicked. Portishead, of course, being the Bristol trip-hop band who I had listened to only in passing, and had found the tunes quite the right mix of Bjork and Massive Attack. I took an mp3 CD that had all of Air and two albums by Portishead on it, and I spent three days listening to ‘Dummy’ over and over again. Beth Gibbons – *sigh*.

Wicked: The Life and Times of The Wicked Witch of the West is the kind of revisionist tale that gives me hope for the future, in times when I am bothered that I have passed that age of blissful reading that enables a reader to enjoy an Oz book, or Enid Blyton stories unconcerned with subtext. Now, I am not too much into subtext, but there is only so much that you can shut down your mental processes to. Wicked is a look at the popular Oz mythos from the point of view of the Wicked Witch Elphaba ( whose name, I figured, the author Gregory Maguire borrows from the honourable Oz-meister himself – L Frank Baum -> El Pha Ba, get it? ). A story that charts out Oz as a land oppressed by the machinations of the Wizard, a man from “our” world – and hence given to ideas that are drawn from our societal taboos. “What is evil?” – a number of characters in the book seek to ask, and try to answer that question in course of that book, and they manage to do so without sounding pretentious, or diverting me from the fact that it’s an Oz story, forgoshsakes. What amazes me is how an author manages to make a character like the Witch so sympathetic, and rewrite the familiar storyline as a series of threads, which are linked to each other in ways that make you get goosepimples towards the end.

The oddest part is, I read part of Wicked first as an audiobook, couldn’t complete it that way, and found the book the other day at MR book stall.

I also watched A Tale of Two Sisters when in Guwahati. No, it wasn’t running at a theatre there, I just took my 2-disc Tartan DVD with me, heh.

And oh, before you ask, the quiz went well. Questions got answered left, right and centre, and it was finally won by an army major from Chennai ( and he called himself, very appropriately, One-Man Army) who had a train to catch at night and popped over at Assam Engineering College when he saw the poster for the quiz right on the way to the city, just to check out how the quiz would be.

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Guwahati, again

Right, off to Guwahati again in two hours, this time to conduct a quiz for Assam Engineering College. Extreme flutter-byes in tummy – this is the first open quiz I am doing in hometown ( if you do not count the intra and inter-school stuff I did, once upon a time), plus the first quiz where parents will be present. Will be at home at about 4 today, unless Air Deccanitis kicks in. Be back on Monday, of course.

All batteries charged, all chargers packed, quiz CD written and packed.

To do:
Select which book to take, select which CD to take, buy some food for the flight, print-out ticket for Cal to Guwahati.

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Aami Axomiya

26th January is not a good place to be in Assam. The days leading to Republic Day were fraught with bomb blasts in Guwahati, one after the other. Not that it made much difference to the people there – except for yours truly, whose plans to go to Shillong were scuttled by two panic-stricken parents who calculated the probability of a bomb blast in the immediate vicinity of their son as a clear 1 out of 1. Seems the ULFA had been quite busy in January, demanding some X crores of rupees from ONGC and IOC ( where X is a figure that would give normal men heart attacks), and refineries, pipelines and key installations were on high alert for quite sometime. By high alert, I mean that if you were a group of young men out on a picnic, there is a fair chance you might have gotten arrested on charges of being suspected terrorists.

(The interesting thing I noted about one of the bomb blast was the total filmy set-up – someone threw a hand grenade in front of a police station. One person was hurt, and then half an hour later, a high-intensity blast occurs in the SAME PLACE. The funda being that the hand grenade had been used as a lure for policemen, senior-level ones to arrive at that place to “take stock of the situation”, while the actual bomb had been planted much before, and was timed to go off half an hour after the grenade blast. These terrorist guys are getting smarter everyday.)

One good (umm, kind of) thing that happened because of these is that when we went to watch Rang De Basanti on the first day, the theatre was empty.

Most people in Assam weren’t really bothered by the bomb blasts or threats. The topic which would send Axomiya Ryze ( that’s “folks from Assam”, for the Axomiya-challenged) into a frenzy would be “Debojit”. Ask around, and the people everybody would want to choke to death in broad daylight would be either Adesh Srivastav or Himesh Reshammiya. ( Ismail Durbar was being considered for canonization, last I heard) Reliance, about the only GSM service that’s of any consequence in the North-East, had put up hoardings saying “Vote for Debojit, son of the soil”, posters that were huger than the ones that are displayed whenever a new Rajini movie is released, the ones where you can count the number of teeth in His Grinning Mouth. They also brought down SMS rates to twenty paise. Which means that most people, including my uncles sent about 40 SMSes every day. “A matter of honour”, they said, when I pointed out that this was technically cheating.

For people who were clueless about the above paragraph, it was about this series on Zee TV called ‘Sa Re Ga Ma Pa’, which once upon a time used to be a musical talent show of much repute, with very serious contestants and judges and a presenter who dripped sugar and honey. Until all these other TRP-friendly shows like Indian Idol took away much of viewership, because of which SRGMP decided to reinvent itself as a vote-show, and a clash of music composers’ “apprentices”. There was some major controversy to do with this particular segment of the show, detailed here and here.

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Mixtapes, Music

The Mix: with tracknames

Ah well, I had forgotten that I didn’t update my mix mp3 post with the names of the songs. The songs represented a major part of my work-music, and my late-night playlist – that happens to be the theme of the collection, by the way. With the exception of one or two, which I knew had to be on the list, they were all very tough selections for me. What do you select from an album that gives you so much pleasure as a singular entity? Is each song a mindblowing experience on its own or is it the cumulative after-effects of the song that preceded it and the one that will follow? And then the order, should song A become track 2 or is it better as an end-track? Should this song come before that one, and what should follow it? Decisions, decisions….

Took me about 8 hours of continuous listening to the 20 songs I selected, before deciding on the final thirteen, and the order.

The tracks, then.

Track 1: Queen of All Ears by The Lounge Lizards. These guys were supposed to be proficient in “fake jazz” when they began twenty years ago, which is just a way of saying that they played whatever they felt like, with surprisingly melodious results. This track “Queen of All Ears” is the fifth in their 1998 album of the same name, the name taken from Jimi Hendrix’s liner notes to Electric Ladyland “And on he walked until after crowning Ethel the dog the Only Queen of Ears…”.The rest of the songs on the album are mindbogglingly good as well, but what drew me to this track is the Indianness of the lead instrument. What, you didn’t notice?

Track 2: Do The Whirlwind by Architecture in Helsinki. My favourite band of the year, one that really unsettles you and forces you to listen to their music. This Australian band has released two albums so far – the first, Fingers Crossed (described as “eight people playing 14 songs in 37 minutes with 31 instruments”) was released in 2003, and the next, In Case We Die, from which this track is taken, in 2005. The song wins my vote for the catchiest song of 2005, bar none.

Track 3: Summer by Joe Hisaishi. While much has been written ( and said) about Hisaishi’s collaborations with Hayao Miyazaki, his collaborations with film-maker Takeshi Kitano are equally magical – piano-laced melodies, mellow instruments tinged with just the right amount of pathos. This track is from a very unlikely Kitano work, the story of a young boy who goes on a trip, during his summer vacation, to find his mother. The main piano line is infectious, I once heard this track over and over again between 7 PM and 3 AM, just because I could not get the main piano line out of my mind.

Track 4: Horizon – The Cinematic Orchestra – I completely dig the percussion line in this song, the clean sound of the jazz drums and the way the conga drums kick in at 2 minutes 48 seconds and go completely berserk for the next 40 seconds. I also love the bass line. And the female voice. And the organ motif that repeats after every eighth bar. Most of the other Cinematic Orchestra tracks do not have vocals in them, and that’s not necessarily a bad thing, trust me.

Track 5: Assassin’s Tango – John Powell (from the Mr and Mrs Smith score) – Mr and Mrs Smith was one of these movies that made me fall asleep in the theater after the interval – there is just so much oozing coolness one can take, even in a Hollywood blockbuster. But just like the other cool yawn-inducer of the year (Ocean’s Twelve, in case you weren’t paying attention), MaMS had a very..er…cool background score, markedly lacking in cliched orchestral cues and sweeps. Case in point, this track.

Track 6: Green Grass of Tunner – múm – I have already spoken about the band before, the other Icelandic outfit I love. This track was off their 2002 album Finally We Are No One, which was the first album of theirs I heard.

Track 7: Love Trap – Susheela Raman
Ok, so I could go completely berserk and write a huge account of how
much Susheela Raman completely rocks and why I am sure I will buy all
her albums this year, but I will let do the honours. ( They don’t call me Beatzo Magnanimity Phreniac for
nothing) The lad has stalked her in ways and means that put us lesser
stalkers to shame. And that’s a compliment, believe me.

Track 8: Ba Ba – Sigur Ros
This is a band that takes the concept of musical layers to the nth
degree. Little sounds chitter in your ears, strange twisted sonic
collages that you might ignore at the first listen, hypnotized by the
main melody but that break into your senses when you listen more
carefully. Possibly the soundtrack to a dark fairy-tale.

Track 9: The Real Story – David Holmes (from the Ocean’s Twelve soundtrack) – I don’t think this track featured in the actual Ocean’s Twelve tracklisting, and that means even I have no idea how it landed up with me. I love the way this tries to imitate the classic spy themes of the sixties and the seventies, like some kind of a bastard offspring of Schifrin-Hayes-Norman, without going overboard.

Track 10: Yekermo Sew – Mulatu Astatke ( from the Broken Flowers soundtrack) – While I haven’t seen Jim Jarmusch’s latest movie ( I should buy it, now that the DVD is in National Market), the soundtrack, which boasts of an impressive range of Jazz-tinged tracks by not-too-well-known World Music artistes, had been playing in my room quite a number of times this year. Selecting this track, from out of the others, was a chore – all of them are that good.

Track 11: Islandisk – Rinneradio – My friend from Finland, who is now wading around in lakes in his hometown at minus fifteen degrees, introduced me to a lot of Finnish bands during his trip to India ( on the upside, I introduced him to Varttina, heh) and Rinneradio was one of my favourites. Prog jazz with electronic influences, the band’s huge in the Finnish music scene.

Track 12: Oceans Apart – Julie Delpy – Sasi thinks that the whole collection was a buildup to this song. Heh, I wish I could tell him it was not so. Heh heh, just kidding. Fact is, after I finished watching Before Sunset, I just let the DVD menu play over and over again, just to hear this song – and proceeded to get absolutely mad at myself for not being able to find this song anywhere. Of course, when I did, I went a little loony for sometime. Watch the movie, if you haven’t already; you will know what I mean. What a voice, what a song!

Track 13: The Real Folk Blues – Yoko Kanno – Probably, without having watched the TV series Cowboy Bebop, you won’t understand why this song is a perfect one to end a CD. Hearing this song play on the end credits of every episode is almost like exhaling after holding your breath after a long time, a head rush of sorts. Yoko Kanno, people, remember the name.

Right, that’s it then. Now I need to figure out an effortless way to upload large volumes before I can think of preparing the next instalment of mixes.

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Gratituous self-promotion in the name of nostalgia deptt.

I used to draw and paint, once upon a time. Even went to art school when I was a kid, and found out that watercolours was the only medium I had some amount of control on. Until of course, I discovered the joys of pen and ink and trying to imitate John Totleben’s artwork.

After buying a scanner ( along with the computer I bought my parents the other day ), I spent some time scanning whatever of my samples I could find.

Scans

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