All right, here we go.

I saw ads for Royal Blood’s album on the London Subway – whoever said anything about not judging an album by its cover? The music turned to be quite unlike the stuff I usually listen to, but who am I to deny the power of a guitar-bass-drum album? The video is incredible, of course.

You may argue that Trent Dabbs is country music and not worthy of your attention, but you would be doing yourself a disservice. He has worked with artistes like Katie Herzig, Hayden Panetierre (yes, that lady) and Ingrid Michaelson and his own voice sounds pretty darn good.

This Klangkarussell song is one of my default running songs, and I occasionally find myself wanting to scale skyscrapers and stare in the distance when the song plays – I am sure you will understand why. The sample of Salif Keita’s song Madan comes out of nowhere, and adds a lovely counterpoint to the buzzy synths that dominate the first half of the song. Also, can someone tell me which city this is shot in?

Robin Schulz’s remix of Lilly Wood and the Prick’s song seems to be definitive version – I mean, I am not even interested in finding out if there is an original and what it sounds like. That’s rare for a remix. Or maybe I am just lazy. I also keep misrepresenting this song as a ‘Robin Thicke’ remix, and then proceed to feel ashamed of myself. That guitar loop reminds me of Wankelnut and Asaf Avidan’s One Day.

Ice Cream by BATTLES is a delightfully kooky song, and the NSFW video (don’t blink) just adds to the flavor. 1:55 is my favorite part of the video. The video for Karma Fields’ Build the Cities is equally trippy. Wait for 1:40. The drum patterns remind me of a great Kirsty Hawkshaw song I heard back in the day. Hmm, I should probably go listen to more Kirsty Hawkshaw.

I am in an intimate relationship with the new Purity Ring album at the moment, and I cannot contemplate talking about any of their music with any semblance of objectivity. Go listen to ‘Another Eternity’, their new album if you have time on your hands. You could also listen to this great collaboration with Jon Hopkins. Another guy whose album Late Night Tales is on my current playlist rotation.

Message To Bears turned up in a Spotify ambient playlist, and it is one of the songs that suddenly wash over you when you are trying to concentrate on whatever you’re doing, and make you stop and listen to it with all your attention. It makes me want to go walk along the beach in the evening while holding hands with someone.

Salt Cathedral glided into my life via Spotify Discover, my default way of finding out music that appeals to me. Short album, but overflowing with whispery percussion patterns, gentle glitches and delicate harmonies. It’s funny – and oddly satisfying – how the songs that stick to you on the first listen have the best videos.

‘Sugar in My Coffee’ by Caught a Ghost played on the season premiere (finale?) of The Blacklist. I didn’t stick with the series beyond a few episodes but the song keeps coming back. A beautiful combination of gospel choruses, a bassline that threatens to eat you alive, and catchy lyrics. There is a live version by the band that I like quite a bit too.

How do you not listen to someone called Com Truise? His music is ironically futuristic, and a whole lot of fun. The album that this song comes from is my favorite end-to-end listen on freeway drives. Makes you want to crank the music up really high, feel the wind in your hair and bop your head at passing cars. I think I may buy a black leather jacket just to live up to this song on my speakers.

Indila blew my mind (and yours too, I hope) with ‘Derniere Danse’ a year or so ago. The other song of hers that I liked a lot was ‘S.O.S’, but it was when I heard her album all the way through that I realized how good she really is. This song is all grace, elegance and tenderness wrapped in a waltz.

The Lottery Winners remind me of Metronomy, Cake and the Barenaked Ladies – all bands with a propensity to look awkwardly into the camera while talking of broken hearts and shattered dreams, albeit with upbeat melodies and patterns in the background. The video for this is creepy and sad at the same time, while the song is endearing.

Las Cafeteras keeps performing in Los Angeles, and I mean to go see them soon. This particular song is a remix, but captures the Chicano/feminist soul of their music quite well.

I missed seeing Madeon in Brussels, boo. And his concert in LA is sold out. His new album Adventure is killing it, and you ought to check it out. His music and videos are full of cryptic messages that people are working hard to decipher, and that adds an extra level of enjoyment to his music. This song features Passion Pit, yet another band that I would love to see again.

Ooh, do not listen to Nils Frahm at night. Especially if you are alone. Every plink on his piano is like someone touching your spine with fingers of ice. Goddammit, what an amazing artist!

Myself, Travel

Not the March Playlist

whiterabbit

It’s April already, and I haven’t had the time to upload a playlist for March. I come armed with excuses, messieurs et madames. World Travel! Week Long Meetings! Whirlwind museum visits! Whoosh-hit-and-run nephew visits[ref]I did not just use the words “hit and run” and “nephew” together, did I? Oh dear.[/ref]! Washing dirty laundry after said world travel! Woulda-coulda-shoulda! Whiplash from alliterative phrasing!

Long story short, a day after I am back from my month-long trip to India and the UK, I found out that I had to leave for Europe again – Amsterdam this time – for work. I know, I know – work and Amsterdam, scoff all you want, but here was the charmer: I had to get a Schengen visa. And that is always an adventure when there are deadlines involved. The other point to be noted was that like the British visa, this one also was not issued in Los Angeles, but in Washington DC, even though there was a consulate in Los Angeles, thankfully. So I was not holding my breath. The available appointment date that I got was for 3 days before the journey – and just before giving up, I tried two things: to apply separately to the Belgian consulate, which had open appointments the same week, and sending an email to the Netherlands consulate in LA explaining the situation.

Jumping ahead, there was this common theme of my travel this time. The fact that the Dutch are misunderstood by many – and yes, I am generalizing. They get flak for their unsophisticated cuisine, their failed attempts to take over the world in the eighteenth century and their lack of concern about unrestrained drug use and general immorality[ref]Sarcasm. Thank you. [/ref]. Everybody fails to notice that – the Dutch are fun, friendly, helpful and very very helpful. I said that twice, just to emphasize my point. [ref]Ironically enough, this is a generalization too. After all, it was a Dutch guy that nearly pinched my phone at Schiphol airport three years ago.[/ref] The lady at the consulate looked at my application, looked at the ghosts of Schengen visas past, hmm-ed and clucked [ref] The clucking was at the sight of the Belgian Schengen from last year, which was a single-entry visa lasting for 3 weeks, the exact time period of my travel. It was like the Belgian authorities refused to believe that anybody would stay three weeks in Belgium for any reason but nefarious. [/ref], and then gently wondered if it would probably be more beneficial –  hem? – to have a visa until 2017? I gaped for a bit, and vigorously agreed. She asked me to add a note to the top of my application form, which I did. (“and maybe also write thank you, just to keep them happy, hem?”) My mind, already having been blown at this invigorating concept that someone actually read additional text on an application form and responded to polite gestures, tried to adjust to the fact that this lady wanted me to get a long-term visa. And I got one! I am now mobile in the USA, the UK and all of the Schengen area until 2017, and that makes me feel very, very powerful.

Also: later, when I realized that I had to change something on my rental car reservation, I called up the service desk from Los Angeles, dreading the whole European service experience that everybody talks about. The lady who picked it up heard me out for about a minute, and asked if she could call me back since she was busy. And she did, even though it was 11 PM for her, and did all that was to be done, and told me her name so that I could personally speak to her at the counter when I landed. I asked for her as I was picking up my car, and even as she was helping out someone else (and was on the phone at the same time), she looked at me and exclaimed “Los Angeles!”, and wished me a good trip.[ref]She was from Sixt Cars, and they are really good. I tried EuropCar before, and they were good too, but I would definitely go with Sixt next time. Although if you are renting a car in Amsterdam, you are going about it wrong. I have an excuse – I had to drive to Brussels and back.[/ref]

Despite this being a work trip, it proved to be a lot of fun. I met everybody I was supposed to, and also someone I wasn’t, but was glad to meet after a four-year absence from each other’s lives. I managed to spend time playing a rabbit-and-carrot board game with my nephew (and at least one reader is smiling right now) where he tried to get me to RTFM before playing, except the FM was written in French, fergoshsakes. I made it in time for a birthday – making it two years in a row, and we will try to do it the third year too. I visited Gent finally, with a friend whose name sounds remarkably like the city, and he took me to a fascinating museum that was part of a psychiatric hospital, with exhibits on death, depression and melancholia that made me wish I had more than a few hours to spare. I had my fill of Dutch Indonesian food and fruit beer, and took my annual walk through the American Book Center, the bookshop that made me appreciate bookshops again.

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Books

Alex von Tunzelmann – Indian Summer

IN THE BEGINNING, THERE WERE TWO NATIONS. ONE WAS A vast, mighty and magnificent empire, brilliantly organized and culturally unified, which dominated a massive swathe of the earth. The other was an undeveloped, semi-feudal realm, riven by religious factionalism and barely able to feed its illiterate, diseased and stinking masses. The first nation was India. The second was England.

This is how Alex von Tunzelmann’s Indian Summer begins. The book looks at the last few years of the Freedom movement in India from an impartial viewpoint, in many ways reminding me of Dominique Lapierre and Larry Collins’ Freedom at Midnight. But I always found Freedom a little white-washed, too eager to steer clear of controversy, and also covering a very narrow period of India’s freedom movement. Specifically the last few years before we attained independence in August 1947 and the horrors it unleashed, culminating in the death of MK Gandhi in 1948. That is why I usually read it along with The Proudest Day, which goes back a little further. Von Tunzelmann mentions that the writers Lapierre and Collins were Mountbatten’s official biographers, which automatically makes me suspicious about the gentlemen’s lack of bias and their facts.

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Indian Summer takes a more relaxed, holistic route that begins with the flow of the British into India and establishes how the Raj came about, in broad strokes. But the meat of the story deals with the trajectory of the principals concerned – MK Gandhi, MA Jinnah, Jawaharlal Nehru, and Louis and Edwina Mountbatten, including all of their early life stories. The book therefore becomes not just about 1947, but about these protagonists, and how their lives and motivations intertwine over the years, the narrative concluding not with the summer of ’47, as the name of the book would imply, but instead with the demise of the longest-lived one among them, Mountbatten. [ref]And I did not know that Mountbatten died in a bomb explosion in his fishing boat, the explosive planted by IRA terrorists. [/ref]

The writer is not kind towards most of the people she talks about. Mountbatten’s early career makes him sound like the air-headed protagonist of a PG Wodehouse novel – he apparently shoots a British general in the leg accidentally, and causes much mayhem during training exercises for D-Day during World War II. His career in the navy is marked with multiple submarines destroyed, but the magic of being associated with the British aristocracy miraculously sees him through his follies. The list of titles after his name ( KG, GCB, OM, GCSI, GCIE, GCVO, DSO, PC, FRS) sounds incredulous even as you read about his exploits.

Jawaharlal Nehru comes across as much more grounded, despite being from an upper class family and being subject to a deification from the population of India even in the early Congress years of the 1930s that sounds borderline insane. There are also stories of Nehru where he jumps into crowds and starts getting into scraps every time he loses his temper, and he does that a lot, especially in his later years.

Songs were composed in his honour; fantastic stories were told of his valour and bravery. A woman in Madras created a line of toiletries called the ‘Nehru Specialities’, and sent samples to him. His vanity was slightly offended by the ‘most disagreeable picture of mine’ branded on all the bottles, but otherwise he found them amusing and distributed the samples of Nehru Brilliantine, Nehru Pomade, and Nehru Lime Juice & Glycerine among his friends. Pamphleteers and orators called him ‘Bharat Bhushan’ (‘Jewel of India’) and ‘Tyagamurti’ (‘O, Embodiment of Sacrifice’) – nicknames which were gleefully picked up by his family. ‘When Bhai [Brother] came down to breakfast we bowed deeply and asked how the Jewel of India had slept, or if the Embodiment of Sacrifice would like some bacon and eggs,’ remembered Betty. The reaction of the chosen one to all this acclaim was characteristically self-deprecating. ‘It went to my head, intoxicated me a little, and gave me confidence and strength. I became (I imagine so, for it is a difficult task to look at oneself from outside) just a little bit autocratic in my ways, just a shade dictatorial.’

Von Tunzelmann however reserves an abundance of barbs for the future Father of the Nation.

Nehru saw social and economic hardship as a cause of suffering, and therefore wanted to end it; Gandhi saw hardship as noble and righteous, and therefore wanted to spread the blessings of poverty and humility to all people.

***

On 15 January 1934, a colossal earthquake hit Bihar, a rural province on the Gangetic plain beneath the Himalayas of Nepal. The devastated area stretched from Allahabad to Darjeeling, and from Kathmandu to Patna. The death toll was estimated at 20,000.  Gandhi visited Bihar in March, and spoke to the bereaved, destitute and homeless people. The earthquake, he told them, ‘is a chastisement for your sins’. And the particular sin that he had in mind was the enforcement of Untouchability. Even Gandhi’s closest supporters were horrified. The victims of the earthquake had included poor as well as rich; Untouchables, Muslims and Buddhists as well as caste-Hindus. But Gandhi was explicitly blaming the victims, appropriating a terrible disaster to promote his own religious ideas. Nehru, who had been helping the relief effort in Bihar, read Gandhi’s remarks ‘with a great shock’. But the most effective refutation came from Rabindranath Tagore, long one of the Mahatma’s greatest advocates. Tagore argued caustically that this supposedly ‘divine’ justice, if such it was, constituted the least just form of punishment imaginable.

***

Gandhi’s position on non-violence was absolute. Aggression could never be returned. He did not believe that women should resist rape, but preferred that they should ‘defeat’ their assailants by remaining passive and silent. Correspondingly, he did not believe that the victims of war should resist attackers by physical force, but rather ought to offer satyagraha – that is, non-compliance with the invaders. ‘If there ever could be a justifiable war in the name of and for humanity, war against Germany to prevent the wanton persecution of a whole race would be completely justified,’ he wrote. ‘But I do not believe in any war.’ He advised the British to give up the fight against Hitler and Mussolini: ‘Let them take possession of your beautiful island … allow yourself, man, woman and child, to be slaughtered, but you will refuse to owe allegiance to them.’ Furthermore, in one of his most controversial arguments, Gandhi advised the Jews in Germany to offer passive resistance to the Nazi regime – and to give up their own lives as sacrifices.

***

Almost everyone on the Mission regarded Gandhi as the biggest culprit in holding up negotiations. Sir Francis Fearon Turnbull, a civil servant, was impressed with Gandhi’s clever drafting and legal mind, but not in the least with his attitude. ‘The nasty old man has grasped that he can get what he asks for’, he wrote, ‘& so goes on asking for more & more.’ Wavell, the Viceroy, agreed. ‘Gandhi was the wrecker’, he wrote to the King. Even Lord Pethick-Lawrence, the new Secretary of State for India noted for his mild manners and cruelly nicknamed ‘Pathetic-Lawrence’ on account of them, became exasperated by the Mahatma. He ‘let fly in a way I have never heard him before’, wrote Turnbull. ‘Said he was coming to believe Gandhi did not care whether 2 or 3 million people died & would rather that they should than that he should compromise.’

Since I am allowed one Watchmen reference every few posts, I can safely mention that to me, Gandhi comes across as the Rorschach of the Indian political movement. [ref]That makes Dr Manhattan = Indian Nationalism, who destroyed Rorschach when he got in the way of progress . Stretching this analogy further, Louis Mountbatten = Ozymandias (“I already did it, 10 months too early.”). Nehru is Nite Owl, haunted and ineffectual, but coming into his own with time. Oh dear, I hate myself. [/ref] His inability to compromise and his unyielding moral compass – not to mention his controversial “experiments” –  are all things that draws controversial discussions across living rooms. I am personally willing to be objective about him, just because what he did was so significant and completely unconventional, especially in an era of imperialism, fascism, ethnic genocide, the atomic bomb and two World Wars. [ref]

A Hipster Hitler webcomic exists. Maybe we need a Hipster Gandhi webcomic too? It will be easy to monetize as well.

  • Step one: Make Hipster Gandhi web-comic.
  • Step two: Get banned in India.
  • Step three:….
  • Step four: Profit.

Maybe Step three isn’t even necessary, at all.[/ref]

At the same time, ignoring the demerits of some of his ideas just because he is a near-deity in the country defeats the spirit of the man, and undermines his message. (Just as calling him Gandhiji adds to that saintly, omniscient persona, which I do not believe in) Some of his ideas are horrendous – if you quote them verbatim, they sound not much unlike rural politicians, phony god-men or evangelists in present-day India – or even the USA. Von Tunzelmann does not really say much that we don’t know through the man’s writings, or other writings about him, but there is one aspect of his life that I hadn’t thought about.

Congress was a largely secular and inclusive organization during Motilal Nehru’s prime in the first twenty years of the twentieth century. Though it was the opposite of his intention, the emergence of Gandhi gave confidence to religious chauvinists. While Gandhi himself welcomed those of all faiths, the very fact that he brought spiritual sensibilities to the centre of politics stirred up extreme and divisive passions. Fundamentalist Hindus were rare presences on the political scene before Gandhi. In the wake of Gandhi, though, Hindu nationalists were able to move into the central ground of politics; while organizations like the Hindu Mahasabha and the Rashtriya Swayamsevak Sangh (RSS), dedicated to the formation of a Hindu nation, swelled their ranks from the fringes. This was no slow, invisible political trend: it was happening visibly during the spring and summer of 1947, when holy sadhus clad in saffron robes marched around the streets of Delhi, bellowing forth political slogans.

In case these selective quotes make it appear as if the writer is placing the blame solely on Indians for the religious animosity that exists today, let me be clear that she points an equally harsh finger at the British policy of ‘Divide and Rule’.

Undoubtedly, the raj did plenty to encourage identity politics. The British found it easier to understand their vast domain if they broke it down into manageable chunks, and by the 1930s they had become anxious to ensure that each chunk was given a full and fair hearing. But picking a few random unelected lobbyists, based on what the British thought was a cross-section of Indian varieties, was not a reliable way to represent 400 million people. India’s population could not be divided into neat boxes labelled by religion and cross-referenced with social position. India was an amorphous mass of different cultures, lifestyles, traditions and beliefs. After so many centuries of integration and exchange, these were not distinct, but rippled into each other, creating a web of cultural hybrids and compromises. A Sunni Muslim from the Punjab might have more in common with a Sikh than he did with a Shia Muslim from Bengal; a Shia might regard a Sufi Muslim as a heretic; a Sufi might get on better with a Brahmin Hindu than with a Wahhabi Muslim; a Brahmin might feel more at ease with a European than he would with another Hindu who was an outcaste. When the British started to define ‘communities’ based on religious identity and attach political representation to them, many Indians stopped accepting the diversity of their own thoughts and began to ask themselves in which of the boxes they belonged. At the same time, Indian politicians began to focus on religion as a central part of their policies – defining themselves by what they were, and even more by what they were not.

Any book that talks about the last days of the Raj makes the butterflies in my tummy fly more frenetically, and this one was no exception. The story of the Indo-Pakistan Partition, regardless of the whys, hows and what-the-fucks, is just unbelievably tragic, and that’s an understatement. The missed opportunities, the what-ifs, the botched decisions – they are enough to make a reader want to throw up after every few paragraphs. In the end, all we have are numbers.

In Stalin’s famous words, one death is a tragedy; one million deaths is a statistic. In this case, it is not even a particularly good statistic. The very incomprehensibility of what a million horrible and violent deaths might mean, and the impossibility of producing an appropriate response, is perhaps the reason that the events following partition have yielded such a great and moving body of fictional literature and such an inadequate and flimsy factual history. What does it matter to the readers of history today whether there were 200,000 deaths, or 1 million, or 2 million? On that scale, is it possible to feel proportional revulsion, to be five times more upset at 1 million deaths than at 200,000? Few can grasp the awfulness of how it might feel to have their fathers barricaded in their houses and burnt alive, their mothers beaten and thrown off speeding trains, their daughters torn away, raped and branded, their sons held down in full view, screaming and pleading, while a mob armed with rough knives hacked off their hands and feet. All these things happened, and many more like them; not just once, but perhaps a million times. It is not possible to feel sufficient emotion to appreciate this monstrous savagery and suffering. That is the true horror of the events in the Punjab in 1947: one of the vilest episodes in the whole of history, a devastating illustration of the worst excesses to which human beings can succumb. The death toll is just a number.

Finally, the book goes into much, much more detail about the Edwina-Nehru relationship than any other book I have read, and I do not want to read a book devoted to this topic alone, because the urge to sensationalize such a story, to find agendas and conspiracies and increase book-selling statistics is something we recognize all too well, we Upworthy-link-consumers. What I took away from the story is that Louis Mountbatten knew and accepted it. (Look at that cover picture above, at the perfect moment in time that it captures) That Edwina Mountbatten and Jawaharlal Nehru were a lady and a gentleman who knew that certain things may be forgiven by the media and the populace, provided decorum is maintained, and the perks of high office aren’t scandalously utilized. Theirs seemed like a beautiful relationship that made both of them happy, one where they treated each other with love and respect. Isn’t that all that is required, from a relationship?

MA Jinnah comes across as a righteous man wronged, far ahead of his time, and yet susceptible to both ego and impetuous decision-making – Direct Action Day, anyone? There is an alternate history waiting to be written somewhere, where Nehru and Jinnah do not see themselves as rivals, and one becomes Governor-General and the other Prime Minister, possibly the most rational duo in 20th century politics. [ref] Or slash fiction. Slash fiction will save the world.[/ref]  What makes me think so? This:

Jinnah’s speech on 11 August made it very clear that he intended Pakistan to be a secular state. ‘You may belong to any religion or caste or creed – that has nothing to do with the business of the State,’ he declared, guaranteeing equality in Pakistan for all faiths and communities. He went further still: ‘In course of time all these angularities of the majority and minority communities, the Hindu community and the Muslim community – because even as regards Muslims you have Pathans, Punjabis, Shias, Sunnis and so on, and among Hindus you have Brahmins, Vashnavas, Khatris, also Bengalees, Madrasis and so on – will vanish,’ he said. ‘Indeed, if you ask me, this has been the biggest hindrance in the way of India to attain freedom and independence, and but for this we would have been free peoples long, long ago.’40 These were peculiar words from the man who had long hindered independence precisely by reinforcing the division between Hindu and Muslim, and add weight to the theory that Jinnah may have been less serious about Pakistan as a Muslim homeland than as a playing piece. Perhaps, all along, he had pursued not an Islamic state, but rather a non-Hindu-majority state.

And this:

The circumstances changed quickly for, on 11 September 1948, Mohammad Ali Jinnah finally succumbed to his illness. He had been on his way to Karachi. Fatima remembered him speaking in delirium: ‘Kashmir … Give them … the right … to decide … Constitution … I will complete it … soon … Refugees … give them … all assistance … Pakistan.’ According to his doctor, Jinnah saw Liaquat and told him that Pakistan was ‘the biggest blunder of my life’. Further yet, he declared: ‘If now I get an opportunity I will go to Delhi and tell Jawaharlal to forget about the follies of the past and become friends again.’ It is impossible to prove whether Jinnah actually said these words or not; either way, he was to have no further opportunity for a rapprochement. He was taken from the airport to the Governor General’s house in an ambulance, which broke down after four miles on a main road in the middle of a refugee settlement with traffic honking by. The heat sizzled, flies buzzing around the Quaid-e-Azam’s ashen face as Fatima attempted to fan them away. It was an hour before another ambulance could be found. Jinnah was taken back to Government House, where Fatima watched him sleep for about two hours. ‘Oh, Jin,’ she remembered thinking, ‘if they could pump out all my blood, and put it in you, so that you may live.’ He woke one final time and whispered to her ‘Fati, khuda hafiz.… la ilaha il Allah … Mohammad … rasul … Allah.’ His head slumped to the right. He had died with the confession of faith just past his lips.

A wonderful, wonderful book.

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Events

Wodehouse on stage

Obviously, not PG Wodehouse himself, but a stage adaptation of his work.

I am in Sheffield at the moment, and before I was about to come here, L told me that she had seen a musical called Anything Goes playing at the local theater, and it was a lot of fun. The name rang a bell, and indeed, the musical was penned by the same person who made a whole lot of us quiver with silent laughter in our seats through the antics of Galahad Threepwood and Bertie Wooster.

However, it was due to depart from Sheffield before my arrival. No harm done, I figured, but curiosity played a role in my googling for “Wodehouse play sheffield”, and I happened to chance on:

A stage adaptation of Perfect Nonsense, playing in Sheffield the very week I was due to be here. Not only was this a Jeeves and Wooster story starring Roderick Spode and Aunt Dahlia and a silver cow creamer, but it was also very critically acclaimed, having won a bunch of awards in the UK. It starred one of the guys from the TV show Peepshow – a show I confess I cannot watch more than two episodes of without squirming in embarrassment for the characters and the situations they put themselves in, which is another way of saying that it’s brilliant.

Happiness and squee ensued, until:

My trip had to be delayed by a week, because of passport-related nonsense. Long story short, the USPS played pass-the-parcel with my passport, which the UK consulate at New York had sent via one-day priority express (not out of altruism, but because I had paid for the damn return label out of my own pocket). As a result, the parcel, due to arrive on January 24th, made its way to Memphis, Tennessee, sauntered around a bit taking in the sights, I presume, and then mysteriously reappeared in Los Angeles on the morning of the 29th. My flight was at 8:30 in the evening, and I swallowed a couple of optimista pills, and threw looks of longing at passing vans that would make piano-playing jilted lovers from seventies Bollywood want to hire me as their emoting coach. Alas, close of business came and went, and after having cancelled my ticket – sweetly enough, Orbitz charged me a 100$ only for the cancellation, and issued a full refund for the rest – I made my way to our office rec room where a party was in progress, and proceeded to drink myself silly. No, just kidding, I did imbibe, but just enough to drown my feeling of frustration. At that point, there was nothing I could do but wait.

The passport got in on the morning of February 2, and I was off on February 3.

As it turned out, I arrived in London the weekend the play was closing down in Sheffield, so there was no way I could see it there. But:

The next city in the tour was Harrogate, which was not too far. About 2 hours by train, and we could have probably made it to one of the 7:30 PM shows, and yet:

The week was a little crazy, because I was working remotely, and had daily status meetings with my US team at 6:45 PM GMT.  So there was no way we could go watch the play on a weekday. So Saturday the 28th, 7:30 PM, was the only day and time that we could possibly make it to the show. And it was – bam tish! – sold out.

Oh well, we said. Some other time. We decided to go and visit Cambridge over the weekend and maybe York, and see a bit of the countryside. But then we looked at train tickets, and after some calculations, I figured that it makes much more sense to check out car rentals instead. I had tried some half-hearted searching a few weeks ago, but the thought of driving on the left side of the road, and the general unfamiliarity with the English spirit of driving – in my head, people driving in Britain were either sweet old couples who would get panicky at the slightest sign of the inability to follow driving rules, or aggressive football fans who would yell racial epithets at me. And yes, that sounds pretty racist of me, but you have to understand that it’s pretty hard to de-condition oneself of years and years of pop cultural brainwashing.

As it turned out, the rental proved to be much cheaper than the train tickets, and it took a few minutes of blinking my eyes and frowning at the road to understand that it wasn’t that bad to drive on the left side again (It had taken me nearly a year to stop waiting for buses on the wrong side of the road, when I moved to Los Angeles). Now that we had a car, it seemed like a better idea to go to a wildlife preserve instead, specifically the one at Spurn, which was a peninsula that jutted into the sea on the East coast of England. Driving along the M18 was a breeze, and we entered the town of Goole and stopped to get some gas in, when:

I checked the theater listing in Harrogate once more, and saw that:

  1.  They had a Perfect Nonsense show at 2:30 PM.
  2. Tickets were still available.
  3. Google Maps said that the distance from Goole to Harrogate was 54 minutes.
  4. It was exactly 1:25 PM.

It felt stupid to not try to make it to the show, and since L did not explode with fury – she was really sweet about it, actually – I pointed my car in the direction of Harrogate, and set off with a pace that I would describe as not-quite-pedal-to-the-metal-but-almost.

We reached Harrogate at 1:27 PM. The parking lot for the theater said “FULL”. It was raining with the kind of torrential gusto that provokes doomsday prophets to look you in the eye with an “I told you so” expression. After circling around the block for 5 agonizing minutes, I managed to back into a street parking space in front of a mall. It was a pay-and-park space, with a time limit of 40 minutes. “Let’s go”, I said. “There is no point, the show must have begun already, and we are too late.” L, more than a little drenched and exasperated, insisted on walking to the theater to see if there were 7:30 tickets at least. Worst case, she said, we could grab some lunch here.

We began walking to the theater. And walked about 5 minutes before realizing we were walking in the wrong direction, huzzah.

As we entered the theater, the ladies at the box office looked up at us from their lunch. We could hear the audience laughing through the closed doors.

“The show’s already begun”, one of them said. “But if you do not mind sitting in the balcony, you can go right in.”

Wait. What?

As it turned out, we finally made it to the show, about five minutes too late. Wooster was still in his apartment talking to Jeeves about the state of affairs that has led him to commit to visit Gussie Fink-Nottle at Totleigh Towers, and shortly after, Aunt Dahlia burst in complaining about Sir Watkyn Bassett’s attempts to woo away her chef (whose name escapes me at the moment). The show’s half-time matched perfectly with the time of expiration of our street parking spot, and the twenty minute gap was just enough for me to saunter over to the car (it had stopped raining by then), note that Jubilee Car Park now had free spaces, and to move the car inside. I made it back to the theater with enough time to spare to hit the restroom and the bar.

The play was magnificent, with the same two actors playing multiple roles – yes, Jason Thorpe played Jeeves, Gussie Fink-Nottle, Sir Watkyn Bassett and Madeleine Basset, while Christopher Ryan plays Seppings, Aunt Dahlia, a 9-foot tall Roderick Spode and Constable Oates. Robert Webb plays Bertie Wooster, of course, and the play takes madcap comedy to delicious extremes, with the fourth wall not being broken so much as pulverized. The self-aware nature of the proceedings appealed to me a lot, even as the actors played around with a minimal stage setup with enthusiasm. It was full of unbridled Wodehousian joy, the play was.

We spent the rest of the evening in Harrogate. There was a Thai restaurant next door called Sukho Thai, and it turned out to have the best Tom Kha soup I had tasted in a long long time. The pre-theater menu also included a main course of duck cooked in coconut, tomato and pineapple, and subhanallah, calling it “good” or trying to describe it in mere words would be an insult, so let’s just leave it at that.

Standard

I have been traveling. Most of the music I have been listening to are offline Spotify playlists, and both new and old tracks find their way into this playlist because of that.

I love Imogen Heap. While most of the songs in her new album Sparks are familiar – they have been slowly released over the last 4 or 5 years – the Bicycle Song was new to me. It was also my track of choice when walking around Gangtok earlier this month, though the song and video are both set in Bhutan.

Mausi’s ‘Move’ turned up in a Morning Commute Spotify playlist a few months ago, and I heard it again recently.

I never knew that a band called Ramona Flowers existed until this cool girl from Pakistan I met told me she saw them live a few months ago. My Scott Pilgrim cred received a crushing blow!

I missed actress Leighton Meester’s residency at the Hotel Cafe in January. But I remedied that by listening to her songs – they are fascinating, and I am tempted to say that she is a better musician than an actress. I may be wrong.

I did make it to Elizaveta’s concert in Venice, at the Witzend – barely two miles from where I live. Turns out she is a Venice local, makes it easier for me to stalk her. Er, I didn’t say that aloud, did I? Her voice gives me goosebumps, and trust me when I say that none of what you hear in this album version is autotuned, though it may sound that way.

FKA Twigs continues to intrigue me in the right kind of ways. I love her music, her videos and her overall attitude. I have been relentlessly missing her shows for some reason or the other – she performs in LA again on April, the same evening as Stromae, and I don’t mess around with a Stromae concert, unfortunately. But soon.

I have absolutely no recollection of how I stumbled onto the Shy Girls. This remix is not really representative of their music, but makes for a great listen.

‘Pumpin Blood’ is another track that came up on the Morning Commute playlist, and it got my attention for the catchy chorus and the whistling.

Both the Caravan Palace track and the Avalanches track after it came up in a Youtube Faceoff at my place, when pal Wes played them in quick succession. He has incredible taste in music, but needs to listen to more Aphex Twin.

My affinity for Hotel Cafe performers is getting predictable, but Laleh is also Swedish, which adds a second spin to my love for her music. What a voice. What a song. Whoo hoo hoo!

I heard about Amason on KCRW. It’s a fucking bitch to search for them on Google, thanks to their similarity to an online store. I love the way Amanda’s voice oozes sensuality at multiple scales. Erm, they are Swedish as well.

Kleerup produced one of my favorite Robyn songs, and I believe I heard of him through her. Amazing 80s synth influences in his music, and Susanne Sundfør’s voice is to die for.

I have been obsessed with the Dø’s new album Shake Shook Shaken. This is the first song I heard online, and it is one of those rare tracks that sound incredible both on the album and live versions. I would attribute it to the band itself, because they are flawless on stage. Flawless, I tell you.